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A work made of brush and gray wash, over graphite, on cream laid paper.

View of the Park at Versailles: Terrace with Urn, Sphinx and Female Statue, n.d.

Pierre Antoine Mongin

A work made of hand-colored lithograph on paper.

Blackfriars, from Southwark Bridge, plate six from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of etching on ivory laid paper.

Temple of Jupiter Tonans [Jupiter the Thunderer]. 1. Temple of Concord, plate 7 from Some Views of Triumphal Arches and other Monuments, 1748

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Clear Weather After Snow at Nihon Bridge (Nihonbashi yukibare), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of color woodblock print; oban.

Distant View of Matsuchi Hill from the Sumida River (Sumidagawa yori Matsuchiyama enkei), from the series "One Hundred Views of Musashi Province (Musashi hyakkei no uchi)", 1884

Kobayashi Kiyochika

A work made of woodcut in black on off-white wove paper.

In the Inner City, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of etching and aquatint on ivory laid paper.

Pembroke Castle, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales, 1773–75

Paul Sandby

A work made of color woodblock print; oban.

Descending Geese at Katada (Katada rakugan), from the series "Eight Views of Omi (Omi hakkei no uchi)", c. 1834

Utagawa Hiroshige

A work made of color woodblock print; oban.

Surugacho, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of color woodblock print; horizontal koban.

Night Rain at Karasaki (Karasaki no yoru no ame), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of albumen print, pl. 34 from the album "egypt and palestine, volume ii" (1858/60).

View on the Island of Philæ, 1857

Francis Frith

A work made of woodblock print; oban, keyblock proof impression.

Hilltop View from Yushima Tenjin Shrine (Yushima Tenjin sakaue tenbo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of pencil on yellow tracing paper.

Chadwick Schools Gymnasium Group, Rolling Hills, CA: Aerial Perspective View, 1949

Harwell Hamilton Harris

A work made of woodcut in black on off-white wove paper.

If Benches Could Talk!, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of pencil, pen and gouache on paper, collaged gelatin silver print.

Proposal for Chicago Warehouse (North American Cold Storage as viewed from Lake and Wacker Streets), 1977

Richard John Haas

A work made of color woodblock print; horizontal koban.

Returning Sails at Yabase (Yabase no kiban), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of color woodblock print; oban.

Evening Glow at Seta Bridge (Seta no sekisho), from the series "Eight Views of Omi (Omi hakkei no uchi)", c. 1834

Utagawa Hiroshige

A work made of lithograph in black on white wove paper.

Main Staircase of the Palace of Justice. Front view, plate 36 from Les Gens De Justice, 1848

Honoré-Victorin Daumier

A work made of color woodblock print; oban.

Bamboo Grove at Kume Village (Kumemura no chikuri), from the series “Eight Views of Ryukyu Islands (Ryukyu hakkei)”, c. 1832

Katsushika Hokusai

A work made of color woodblock print.

Night Rain at Mii Temple, from the series "Eight Views of Ohmi", 1917

Ito Shinsui

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