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A work made of watercolor with touches of pen and black ink, over traces of graphite, on ivory laid paper, laid down on ivory laid paper.

The Ancient Theater at Taormina with a View of Mount Etna, Study for Saint Non's Voyage Pittoresque de Naples et de Sicile, 1783

Louis François Cassas

A work made of etching on heavy ivory laid paper.

View along the Via del Corso of the Palazzo dell' Accademia established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of sepia-toned gelatin silver print.

Eight Views of My Lover's Apartment, May 78; and One View of Mine, May 1978

Leslie Robert Krims

A work made of woodcut in black on off-white wove paper.

Tavern's Row, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of gelatin silver print.

Chicago (LaSalle Street at Erie Street, View South), 1977

Bob Thall

A work made of pen and black ink and brush and black and gray wash, with black chalk, on cream laid paper.

View of the Park at Versailles: Rustic Cabin, n.d.

Pierre Antoine Mongin

A work made of woodblock print; oban, sumizuri-e.

A Passing Palanquin, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)", c. 1681/84

Hishikawa Moronobu

A work made of color woodblock print; oban.

View of Konodai and the Tone River (Konodai Tonegawa fukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of hand-colored lithograph on paper.

The Tower and Mint from Great Tower Hill, plate two from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of color woodblock print; tanzaku.

Kinryuzan Temple in Asakusa in Falling Snow (Asakusa Kinryuzan setchu no zu), from the series "Famous Views of the Eastern Capital (Toto meisho no uchi)", 1840

Utagawa Hiroshige

A work made of color woodblock print; oban.

Waterwheel at Onden (Onden no suisha), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print.

Modan Viewpoint, Pyongyang, Korea, from the series "Korean Views Supplement" (Zoku Chosen fukei, Chosen Heijo Botandai), 1940

Kawase Hasui

A work made of color woodblock print; oban.

Distant View of Azuma Bridge and Kinryuzan Temple (Azumabashi Kinryuzan enbo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; ogi-e.

Flower-viewing Party from the Pleasure Quarters (Seiro hanami ryaku zu), mid–1830s

Utagawa Hiroshige

A work made of color woodblock print; oban.

View of the Lotus Pond at Shinobugaoka (Shinobugaoka hasuike no zu), from the series "Famous Views of the Eastern Capital (Toto Meisho)", c. 1831

Utagawa Hiroshige

A work made of lithograph in black on white wove paper.

View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été, 1854

Honoré-Victorin Daumier

A work made of color woodblock print.

Banyu River, from the series "Selection of Views of the Tokaido" (Tokaido fukei senshu, Banyugawai), January 1931

Kawase Hasui

A work made of color woodblock print.

Kites of Fukuroi and Distant View of Akiba in Totomi Province (Enshu Akiba enkei Fukuroi tako), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", 1859

Utagawa Hiroshige II (Shigenobu)

A work made of woodblock prints; 2 right sheets of oban triptych, keyblock and color impressions.

Viewing Cherry Blossoms from a Teahouse on Asuka Hill, c. 1789/90

Chôbunsai Eishi

A work made of woodcut in black on off-white wove paper.

Lincoln Park Zoo, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

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