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A work made of albumen print, plate 3 from the album "photographic views of the sherman campaign" (1866).

Nashville from the Capitol, 1864

George N. Barnard

A work made of albumen print, stere.

Interior View of the Main Hall of Prison, East Side, which is 6 Stories High, and Contains 600 Cells, No. 4318 from the series "Sing Sing Prison Views", 1860/69

Anthony and Company

A work made of etching on heavy ivory laid paper.

View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome, 1776, published 1800–07

Giovanni Battista Piranesi

A work made of albumen print, plate 57 from the album "photographic views of the sherman campaign" (1866).

Interior View of Fort Sumpter, 1866

George N. Barnard

A work made of hand-colored lithograph on paper.

Hyde Park Corner, plate fifteen from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of color woodblock print; oban.

Title page for the series "Thirty-six Views of Mount Fuji (Meisho sanjurokkei)", 1859

Utagawa Hiroshige

A work made of aquatint with etching on ivory laid paper.

Title Plate, from Twelve Views in South Wales, 1775

Paul Sandby

A work made of gelatin silver print.

Lake Shore Drive at Lake Street, View West, 1978

Bob Thall

A work made of color woodblock print.

Gathering Cliff Fungus at Kumano, Kishu Province (Kishu kumano iwatake tori), from the series “One Hundred Views of Famous Views in the Various Provinces (shokoku meishi hyakkei)", 1860

Utagawa Hiroshige II (Shigenobu)

A work made of aquatint on cream laid paper.

View of the River Dee 3 Miles Short of Bala, with Cadar-Idris Mountain near Dolgelli 30 Miles Distant, plate nine from Twelve Views in Wales, 1777

Paul Sandby

A work made of color woodblock print; horizontal koban.

Descending Geese at Katada (Katada no rakugan), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of color woodblock print; oban.

Banana Garden at Nakashima (Nakashima shoen), from the series "Eight Views of the Ryukyu Islands (Ryukyu hakkei)", c. 1832

Katsushika Hokusai

A work made of black chalk, heightened with white chalk, with stumping, on tan wove paper.

View of the Park at Versailles: Women Bathing Beneath a Bridge, n.d

Pierre Antoine Mongin

A work made of brush and gray wash, with graphite, on cream laid paper.

View of the Park at Versailles: Monumental Staircase, Pedestal and Temple, n.d.

Pierre Antoine Mongin

A work made of color woodblock print; chuban.

Clearing Weather of the Fan (Ogi no seiran), from the series "Fashionable Parodies of the Eight Parlor Views (Furyu mitate zashiki hakkei)", c. 1773/75

Isoda Koryusai

A work made of color woodblock print; chuban.

Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as "Eight Views of Tragic Lovers (Michiyuki hakkei)", 1801–04

Katsushika Hokusai

A work made of color woodblock print; oban.

Honganji Temple at Asakusa in Edo (Toto Asakusa Honganji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of hand-colored lithograph on paper.

Temple Bar from The Strand, plate 22 from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of woodcut in black on off-white wove paper.

The Busiest Corner in Chicago, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of salted paper print or diluted albumen print from calotype negative, plate iii from photographic views in madura, part iv.

Arcade in Quadrangle, 1858

Linnaeus Tripe

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