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A work made of hand-colored lithograph on paper.

Hyde Park Corner, plate fifteen from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of color woodblock print; oban.

Title page for the series "Thirty-six Views of Mount Fuji (Meisho sanjurokkei)", 1859

Utagawa Hiroshige

A work made of color woodblock print.

Gathering Cliff Fungus at Kumano, Kishu Province (Kishu kumano iwatake tori), from the series “One Hundred Views of Famous Views in the Various Provinces (shokoku meishi hyakkei)", 1860

Utagawa Hiroshige II (Shigenobu)

A work made of gelatin silver print.

Lake Shore Drive at Lake Street, View West, 1978

Bob Thall

A work made of color woodblock print; horizontal koban.

Descending Geese at Katada (Katada no rakugan), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of color woodblock print; oban.

Banana Garden at Nakashima (Nakashima shoen), from the series "Eight Views of the Ryukyu Islands (Ryukyu hakkei)", c. 1832

Katsushika Hokusai

A work made of color woodblock print; chuban.

Clearing Weather of the Fan (Ogi no seiran), from the series "Fashionable Parodies of the Eight Parlor Views (Furyu mitate zashiki hakkei)", c. 1773/75

Isoda Koryusai

A work made of color woodblock print; chuban.

Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as "Eight Views of Tragic Lovers (Michiyuki hakkei)", 1801–04

Katsushika Hokusai

A work made of black chalk, heightened with white chalk, with stumping, on tan wove paper.

View of the Park at Versailles: Women Bathing Beneath a Bridge, n.d

Pierre Antoine Mongin

A work made of brush and gray wash, with graphite, on cream laid paper.

View of the Park at Versailles: Monumental Staircase, Pedestal and Temple, n.d.

Pierre Antoine Mongin

A work made of color woodblock print; oban.

Honganji Temple at Asakusa in Edo (Toto Asakusa Honganji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of hand-colored lithograph on paper.

Temple Bar from The Strand, plate 22 from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of woodcut in black on off-white wove paper.

The Busiest Corner in Chicago, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

View of Konodai and the Tone River (Konodai Tonegawa fukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of etching and aquatint in bistre (brownish-black) on ivory paper.

View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo"), 1779

Richard Cooper, II

A work made of etching on heavy ivory laid paper.

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome, 1768

Giovanni Battista Piranesi

A work made of hand-colored lithograph on paper.

Doorway, Temple, frontispiece to Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of gelatin silver print.

Miss Pogany II, three-quarter view, polished bronze (Melle Pogany, vue de trois-quarts, bronze poli), c. 1920

Constantin Brancusi

A work made of lithograph in black with beige tint stone, on cream wove paper.

View of a Church, 1818

Jean-Baptiste Isabey

A work made of color woodblock print; chuban.

Yagurashita no Bansho (Evening Bell at Yagurashita), Courtesan and Her Attendant at the Yagurashita Unlicensed Pleaser District in Fukagawa, from the series "Fukagawa Hakkei (Eights Views of Fukagawa)", c. 1771

Katsukawa Shunsho

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