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A work made of book with twenty-four color lithographs with hand-coloring, two color lithographs, and letterpress on ivory wove paper.

Views of Ancient Monuments in Central America, Chiapas, and Yucatán, 1844

Frederick Catherwood

A work made of watercolor over traces of graphite on paper.

View from the Hotel Swanaze, India, n.d.

Sir Charles D'Oyly

A work made of aquatint with etching and hand-coloring on cream wove paper.

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

Michigan Avenue at the Foot of Madison Street, Chicago, with a view of the Illinois Central Station in the Year 1864, published December 1926 (1864 depicted)

Raoul Varin

A work made of aquatint with etching on ivory laid paper.

Carey Castle in Pembroke Shire, plate ten from Twelve Views in South Wales, 1775

Paul Sandby

A work made of color woodblock print; oban.

Moon-Viewing Point (Tsuki no misaki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of etching on off-white wove paper.

The Principal View of the Large and Small Cascades at Tivoli, n.d.

Friedrich-Wilhelm Gmelin

A work made of ink on linen.

Canberra City Plan, Canberra, Australia, Sectional View, c. 1912

Marion Mahony Griffin

A work made of salted paper print or diluted albumen print from calotype negative, plate iii from photographic views in madura, part iv.

Arcade in Quadrangle, 1858

Linnaeus Tripe

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

View on Apache Lake, Sierra Blanca Range, Arizona, 1873

Timothy O'Sullivan

A work made of woodcut in black on off-white wove paper.

Committee Meeting, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

Yasugi Kiyomizu Temple, Izumo Province (Izumo, Yasugi Kiyomizu), from the series "Selection of Views of Japan (Nihon fukei senshu)", 1926

Kawase Hasui

A work made of color woodblock print.

Kuromon Gate, from the series "One Hundred Views of New Tokyo (Shin Tokyo hyakkei)", 1930

Hiratsuka Un'ichi

A work made of aquatint on cream laid paper.

Pimble Meer, plate ten from Twelve Views in Wales, 1777

Paul Sandby

A work made of woodcut in black on off-white wove paper.

Lake Shore Drive, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; chuban yoko-e.

The Evening Mistress at Ueno (Ueno no bansho), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1769

Suzuki Harunobu

A work made of color woodblock print; chuban.

Clearing Weather at Asakusa (Asakusa no seiran), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Suzuki Harunobu

A work made of color woodblock print; oban.

View of Tsukuda Island from Eitai Bridge (Eitaibashi Tsukudajima), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of etching on ivory laid paper.

View of the Customs House in Piazza di Pietra, which was built within the ruins of the Temple of Marcus Aurelius Antoninus Pius in his Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of woodblock print; ishizuri-e, section of harimaze sheet.

Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d.

Utagawa Hiroshige

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