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A work made of color woodblock print with metallic pigments; shikishiban, surimono.

View of Miyanoshita Hot Springs in Hakone, Soshu, from the series "Hot Springs - A Diptych (Onsen niban tsuzuki)", c. 1820s

Keisai Eisen

A work made of book with twenty-four color lithographs with hand-coloring, two color lithographs, and letterpress on ivory wove paper.

Views of Ancient Monuments in Central America, Chiapas, and Yucatán, 1844

Frederick Catherwood

A work made of watercolor over traces of graphite on paper.

View from the Hotel Swanaze, India, n.d.

Sir Charles D'Oyly

A work made of aquatint with etching and hand-coloring on cream wove paper.

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

Michigan Avenue at the Foot of Madison Street, Chicago, with a view of the Illinois Central Station in the Year 1864, 1926

Raoul Varin

A work made of aquatint with etching on ivory laid paper.

Carey Castle in Pembroke Shire, plate ten from Twelve Views in South Wales, 1775

Paul Sandby

A work made of color woodblock print; oban.

Moon-Viewing Point (Tsuki no misaki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of etching on off-white wove paper.

The Principal View of the Large and Small Cascades at Tivoli, n.d.

Wilhelm Friedrich Gmelin

A work made of ink on linen.

Canberra City Plan, Canberra, Australia, Sectional View, c. 1912

Marion Mahony Griffin

A work made of salted paper print or diluted albumen print from calotype negative, plate iii from photographic views in madura, part iv.

Arcade in Quadrangle, 1858

Linnaeus Tripe

A work made of color woodblock print; oban.

Yasugi Kiyomizu Temple, Izumo Province (Izumo, Yasugi Kiyomizu), from the series "Selection of Views of Japan (Nihon fukei senshu)", 1926

Kawase Hasui

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

View on Apache Lake, Sierra Blanca Range, Arizona, 1873

Timothy O'Sullivan

A work made of woodcut in black on off-white wove paper.

Committee Meeting, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print.

Kuromon Gate, from the series "One Hundred Views of New Tokyo (Shin Tokyo hyakkei)", 1930

Hiratsuka Un'ichi

A work made of aquatint on cream laid paper.

Pimble Meer, plate ten from Twelve Views in Wales, 1777

Paul Sandby

A work made of woodcut in black on off-white wove paper.

Lake Shore Drive, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; chuban yoko-e.

The Evening Mistress at Ueno (Ueno no bansho), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1769

Suzuki Harunobu

A work made of color woodblock print; chuban.

Clearing Weather at Asakusa (Asakusa no seiran), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Suzuki Harunobu

A work made of color woodblock print; oban.

View of Tsukuda Island from Eitai Bridge (Eitaibashi Tsukudajima), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of woodblock print; ishizuri-e, section of harimaze sheet.

Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d.

Utagawa Hiroshige

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