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A work made of color woodblock print.

Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), 1830-33

Katsushika Hokusai

A work made of color woodblock print; oban.

Arai: View of Ferryboats (Arai, watashibune no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of color woodblock print.

Moon over the Ara River, Akabane, from the series "Twenty Views of Tokyo" (Tokyo nijukei, Arakawa no tsuki (Akabane)), 1929

Kawase Hasui

A work made of color woodblock print; oban.

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of color woodblock print; oban.

View of Tsukuda Island from Eitai Bridge (Eitaibashi Tsukudajima), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; oban.

Sea Lane off Kazusa Province (Kazusa no kairo), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of gelatin silver print.

Wabash Avenue Near Lake Street, View Northeast, 1981

Bob Thall

A work made of color woodblock print.

Zojoji Temple in Shiba (Shiba Zojoji), from the series "Twenty Views of Tokyo (Tokyo nijukkei)", 1925

Kawase Hasui

A work made of color woodblock print; oban.

Nihonbashi Bridge in Edo (Edo Nihonbashi), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of albumen print, plate 5 from the album "photographic views of the sherman campaign" (1866).

Whiteside Valley below the Bridge, 1864

George N. Barnard

A work made of albumen print, plate 56 from the album "photographic views of the sherman campaign" (1866).

Fort Sumpter, 1865/66

George N. Barnard

A work made of lithograph on buff wove paper, with letter press, verso.

View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes, 1859

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

View of Fort Pierre Chatel toward the Southeast, c. 1820

Charles Lefèvre

A work made of brush and gray wash, over graphite, on cream laid paper.

View of the Park at Versailles: Trees and Statuary, n.d.

Pierre Antoine Mongin

A work made of watercolor over traces of graphite on paper.

View from the Hotel Swanaze, India, n.d.

Sir Charles D'Oyly

A work made of book with twenty-four color lithographs with hand-coloring, two color lithographs, and letterpress on ivory wove paper.

Views of Ancient Monuments in Central America, Chiapas, and Yucatán, 1844

Frederick Catherwood

A work made of color woodblock print; oban.

Rice Paddies at Ono in Suruga Province (Sunshu Ono shinden), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of etching and engraving in black on ivory laid paper.

View of the Famous Chestnut Tree of Mount Etna, called Centum Cavalli, 1784/86

François Alix

A work made of color woodblock print with metallic pigments; shikishiban, surimono.

View of Miyanoshita Hot Springs in Hakone, Soshu, from the series "Hot Springs - A Diptych (Onsen niban tsuzuki)", c. 1820s

Keisai Eisen

A work made of aquatint with etching and hand-coloring on cream wove paper.

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

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