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A work made of woodcut in black on off-white wove paper.

The Busiest Corner in Chicago, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

View of Konodai and the Tone River (Konodai Tonegawa fukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of lithograph in black with beige tint stone, on cream wove paper.

View of a Church, 1818

Jean-Baptiste Isabey

A work made of hand-colored lithograph on paper.

Doorway, Temple, frontispiece to Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of etching and aquatint in bistre (brownish-black) on ivory paper.

View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo"), 1779

Richard Cooper, II

A work made of etching on heavy ivory laid paper.

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome, 1768

Giovanni Battista Piranesi

A work made of gelatin silver print.

Miss Pogany II, three-quarter view, polished bronze (Melle Pogany, vue de trois-quarts, bronze poli), c. 1920

Constantin Brancusi

A work made of color woodblock print; chuban.

Yagurashita no Bansho (Evening Bell at Yagurashita), Courtesan and Her Attendant at the Yagurashita Unlicensed Pleaser District in Fukagawa, from the series "Fukagawa Hakkei (Eights Views of Fukagawa)", c. 1771

Katsukawa Shunsho

A work made of aquatint with etching and hand-coloring on cream wove paper.

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of color woodblock print; oban.

Gion Bridge at Hondo Amakusa, (Amakusa Hondo Gion-bashi), from the series "Selction of Views of Japan (Nihon fukei senshu)", 1924

Kawase Hasui

A work made of color woodblock print; horizontal koban.

Clearing Weather at Awazu (Awazu no seiran), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of color woodblock print; oban.

Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1858

Utagawa Hiroshige

A work made of color woodblock print.

Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei), c. 1853

Utagawa Hiroshige II (Shigenobu)

A work made of pastel on paper.

Plate 50 A from Plan of Chicago 1909: Chicago. View of the Proposed Park on the South Shore Looking Northwest Towards the City., 1896

Daniel Hudson Burnham

A work made of gelatin silver print.

IBM Building Roof, View East, 1989

Bob Thall

A work made of woodblock print; oban, sumizuri-e.

Honbo, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)", c. 1681/84

Hishikawa Moronobu

A work made of iris print on paper.

Competition Proposal for Nelson Atkins Museum of Art, Perspective Views, 1999

Steven Holl

A work made of etching on heavy ivory laid paper.

Egyptian Obelisk. This was erected by Pope Sixtus V in the Piazza of St. John Lateran, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of brush and black and gray wash, over graphite, on ivory laid paper.

View of the Park at Versailles: Two Poplar Trees with Balustraded Walk in Background, n.d.

Pierre Antoine Mongin

A work made of color woodblock print; oban.

The Sacred Spring on Fortress Mountain (Jogaku reisen), from the series "Eight Views of the Ryukyu Islands (Ryukyu hakkei)", c. 1832

Katsushika Hokusai

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