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A work made of lithograph in black on off-white wove paper.

Temptation, plate 453, 1835

Honoré-Victorin Daumier

A work made of bronze.

Jean-Pons-Guillaume Viennet, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of lithograph on ivory wove paper.

“- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice, 1846

Honoré-Victorin Daumier

A work made of steel engraving colored with wood-blocks in oil-based inks on paper.

Victoria, Queen of Great Britain, India, etc., c. 1859

George Baxter

A work made of pen and brown ink, with brush and brown wash, on cream laid paper.

Joseph's Brothers Showing His Coat to Jacob, 1640/49

Jan Victors

A work made of lithograph in black on white wove paper.

“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Hunter's Rendezvous, n.d.

Victor Jean Adam

A work made of gouache on illustration board.

Hanley Dawson Sales Facility Remodeling Proposal, Chicago, Illinois, Perspective, c. 1989

Victor L. Charn & Associates

A work made of black chalk and pastel and stumping, with touches of white chalk and red conté crayon on light blue wove paper, laid down on cream wove paper, edge mounted to tan wove paper.

Head of a Fallen Soldier, 1847

Jean-Victor Schnetz

A work made of lithograph in black on ivory wove paper.

Geogaphic Scarves. "Look Dodolphe, this is really the last sacrifice I'll do for your education... if you still don't get your geography right, it means you are completely clogged up... this time I'll stick your nose into it. To start with, you'll just need to make sure during the first day to only blow your nose in Normandy.... I'll slap you in the face if you blow your nose in the Channel!," plate 89 from Actualités, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne, 1856

Honoré-Victorin Daumier

A work made of encaustic on board.

Metasigne, 1958

Victor Brauner

A work made of lithograph in black on ivory wove paper.

A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466, 1835

Honoré-Victorin Daumier

A work made of bronze.

Bust of a Man, Modeled 1830s, cast 1940s

Honoré-Victorin Daumier

A work made of bronze.

Jean Vatout, Modeled c. 1832–35, cast 1927–40

Honoré-Victorin Daumier

A work made of bronze.

Jean-Marie Harlé, Père, Modeled c. 1832–35, possibly cast c. 1940

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Kiss of Circumstances, plate 50 from Actualités, 1867

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Burial, 1835

Victor Jean Adam

“- Butterflies!!!... this reminds me of my youth! - Monsieur Prudhomme. Would you please be quiet, not in front of your son!,” plate 289 from Actualités

“- Butterflies!!!... this reminds me of my youth! - Monsieur Prudhomme. Would you please be quiet, not in front of your son!,” plate 289 from Actualités, 1856

Honoré-Victorin Daumier

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