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A work made of bronze.

Charles Henry Verhuel, Comte de Sevenaar, Admiral and Peer, Modeled c. 1835, cast 1935/52

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

Worker and Bourgeois, from Les Parisiens En 1848, 1848

Honoré-Victorin Daumier

Cranbrook Architecture 1982-83 Poster

Cranbrook Architecture 1982-83 Poster, 1982/83

Katherine McCoy

A work made of lithograph in black on ivory wove paper.

A literary argument on the second tier, plate 3 from Croquis Pris Au Théatre par Daumier, published February 27, 1864

Honoré-Victorin Daumier

A work made of bronze.

Auguste-Hippolyte Ganneron, Modeled c. 1832/35, cast 1929/50

Honoré-Victorin Daumier

A work made of bronze.

Jean Claude Fulchiron, Modeled c. 1832/35, cast 1929/50

Honoré-Victorin Daumier

A work made of bronze.

Benjamin Delessert, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of lithograph on cream wove paper.

"Would Monsieur like some crêpes?.. - He must have been an undertaker," plate five from Croquis Parisiens (Parisian Sketches), published May 9, 1855

Honoré-Victorin Daumier

A work made of lithograph in black, with additions in pen and iron gall ink, on cream wove paper.

I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839/42

Honoré-Victorin Daumier

Earthenware plate decorated with grapevine pattern on rim in black and with a central bird's eye panorama scene depicting a mansion with a regular garden on the front. The landscape is accompanied with an inscription "HOTEL ROYAL DES INVALLIDES. Vue generale a Paris".

Hippolyte-Abraham Dubois, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

- Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société, 1858

Honoré-Victorin Daumier

A work made of gelatin silver print, with applied graphite.

Untitled (Nude), 1937

Victor Chalupski

A work made of bronze.

Comte Charles-François Malo de Lameth, Modeled c. 1832/35, cast 1929/40

Honoré-Victorin Daumier

A work made of bronze.

Comte Charles-Louis Huguer de Sémonville (?), Modeled c. 1832/35, cast 1929/50

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

“- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad, 1843

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A rather unsatisfied litigant, plate 26 from Les Gens De Justice, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Jules de L (also known as Lasteyrie the Argand lamp). Former member of the opposition, now ennemy of the light... blinded by the sudden appearance of the sun of the Republic, Jules de Lasteyrie now wears the eye-shade of the Constitutionnel, plate 33 from Les Représentans Représentés, 1850

Honoré-Victorin Daumier

A work made of bronze.

Comte Horace-François Sébastiani, Modeled c. 1832–35, cast 1929–40

Honoré-Victorin Daumier

A work made of bronze.

François-Pierre-Guillaume Guizot, Modeled c. 1832/35, cast 1929/50

Honoré-Victorin Daumier

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