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Cranbrook Architecture 1982-83 Poster

Cranbrook Architecture 1982-83 Poster, 1982/83

Katherine McCoy

A work made of pen and black ink and brush and gray wash on yellow laid paper, tipped onto ivory wove paper.

Porte de la Victoire, 1937

Eugene Berman

A work made of stoneware (jasperware).

Button with Offering of Victory, Late 18th century

Wedgwood Manufactory

A work made of lithograph in black on white wove paper.

“Yes, they would plunder this orphan, whom I cannot necessarily describe as being young, since he is fifty-seven years ol...I am, reassured knowing that justice always keeps an open eye on all guilty maneuvers! . . . ,” plate 11 from Les Gens De Justice, 1845

Honoré-Victorin Daumier

A work made of bronze.

Comte Alfred-Pierre de Falloux, Modeled possibly 1848–50, cast 1929–40

Honoré-Victorin Daumier

A work made of bronze.

Charles-Guillaume Ètienne, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper.

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Vittore Carpaccio

A work made of stencil.

The Final Conclusion of His Bloody Dictatorship, April 18, 1945

Pavel P. Sokolov-Skalia

A work made of etching in black and lavis in warm gray on ivory laid paper.

Victorine Meurent in the Costume of an "Espada", 1862

Édouard Manet

A work made of lithograph in black on cream wove paper.

Mr. Prune, plate 288 from Célébrités de la Caricature, 1833

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

An Addition to a Splendid Education. The young Chinese of the upper class don't only cultivate the art of the hunting horn, they also learn to give punches with the fist or the heels of their boots right into the pit of the stomach. This talent is called boxing with the feet and it is cultivated with the greatest success by all those who consider placing themselves on a good footing in society, plate 17 from Voyage En Chine, 1844

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux, 1852

Honoré-Victorin Daumier

A work made of hand-colored lithograph in black, heightened with gum arabic on ivory wove paper.

A Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from Caricaturana, 1837

Honoré-Victorin Daumier

A work made of lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso.

Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne, published November 30, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens, 1840

Honoré-Victorin Daumier

A work made of black crayon, over traces of charcoal, on ivory laid paper.

A Group of Men, and Other Sketches, 1857

Honoré-Victorin Daumier

A work made of lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso.

“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Attack of the Turks, n.d.

Victor Jean Adam

A work made of lithograph in black on white wove paper.

“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités, 1849

Honoré-Victorin Daumier

A work made of bronze.

Jacques-Antoine-Adrien, baron Delort, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

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