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A work made of bronze.

Charles-Guillaume Ètienne, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper.

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Vittore Carpaccio

A work made of color lthograph on cream wove paper, laid down on linen.

L'Art Nouveau, Grafton Galleries, 1899

Frank Brangwyn

A work made of etching with drypoint on copper in black with plate tone on cream wove paper.

Roman Victory, 1889

James Ensor

A work made of lithograph in black on cream wove paper.

Mr. Prune, plate 288 from Célébrités de la Caricature, 1833

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux, 1852

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

An Addition to a Splendid Education. The young Chinese of the upper class don't only cultivate the art of the hunting horn, they also learn to give punches with the fist or the heels of their boots right into the pit of the stomach. This talent is called boxing with the feet and it is cultivated with the greatest success by all those who consider placing themselves on a good footing in society, plate 17 from Voyage En Chine, 1844

Honoré-Victorin Daumier

A work made of hand-colored lithograph in black, heightened with gum arabic on ivory wove paper.

A Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from Caricaturana, 1837

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens, 1840

Honoré-Victorin Daumier

A work made of lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso.

Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne, published November 30, 1842

Honoré-Victorin Daumier

A work made of black crayon, over traces of charcoal, on ivory laid paper.

A Group of Men, and Other Sketches, 1857

Honoré-Victorin Daumier

A work made of lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso.

“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Attack of the Turks, n.d.

Victor Jean Adam

A work made of stencil.

The Final Conclusion of His Bloody Dictatorship, April 18, 1945

Pavel P. Sokolov-Skalia

A work made of lithograph in black on white wove paper.

“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités, 1849

Honoré-Victorin Daumier

A work made of bronze.

Jacques-Antoine-Adrien, baron Delort, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of lithograph in black on buff wove paper.

“- All right Rigobert, my old friend.... we are going to make a long trip today.... did you bring enough provisions on board of our vessel? - Don't talk about it.... all I was able to bring along are two biscuits and a red herring,” plate 1 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of bronze.

Charles Henry Verhuel, Comte de Sevenaar, Admiral and Peer, Modeled c. 1835, cast 1935–52

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

Worker and Bourgeois, from Les Parisiens En 1848, 1848

Honoré-Victorin Daumier

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