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A work made of lithograph in black on white wove paper.

“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Madame Prudhomme, let's not hurry, let's recall that dignity should preside over all acts of life... dignity alone distinguishes man from the rest of the animals,” plate 2 from Croquis Aquatiques, 1854

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens, 1852

Honoré-Victorin Daumier

A work made of bronze.

Jean-Charles Persil, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- The Court, having weighed the evidence and apportioned the advantage accruing from the dereliction, abrogates the appeal and all similar procedures, discharges the appellant and amends the judgement of the lower Court in respect to the costs of th respondent, with the exception of a forfeiture payment to Advocate Bizotin in respect of the final judgement, and hereby dismisses both parties as aforementioned. - My God, what a verdict..... my lawyer will ask for at least seventy five francs to explain this to me.....,” plate 4 from Les Gens De Justice, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Mr. Baill.., plate 312 from Célébrités de la Caricature, 1833

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier, 1865

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs, 1851

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Marie Louise Charlotte Philippine Pairie, prostitute, licensed by the police, 1835

Honoré-Victorin Daumier

A work made of bronze.

Félix Barthe, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of lithograph in black, with additions in pen and brown ink (faded to gray) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper.

A Boat Maneuver, plate nine from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper, with letterpress verso.

The Touch, plate 42 from Types Parisiens, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of bronze.

Pierre-Paul Royer-Collard, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of albumen silver print.

Her Majesty, Queen Victoria, December 1866

André-Adolphe-Eugène Disdéri

A work made of lithograph in black on cream wove paper.

Military Costumes: Sapper (Fireman), Surgeon and Canteen Manager; Grenadier (Musketeer, Infantryman), n.d.

Victor Jean Adam

A work made of lithograph in black on buff wove paper.

Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle, 1855

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Untitled, 1851

Victor Jean Adam

A work made of lithograph in black on ivory wove paper.

The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes, 1840

Honoré-Victorin Daumier

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