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A work made of color lithograph on cream wove paper, laid down on linen.

Time Cooperative, 1899

Adolf Hohenstein

The Mime

The Mime, 1891

Jules Chéret

A work made of lithograph in black on white wove paper.

A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités, 1859

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839

Honoré-Victorin Daumier

A work made of lithograph, with scraping on stone on cream wove paper, with text below and letterpress verso.

Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine, published December 18, 1844

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales, 1841

Honoré-Victorin Daumier

A work made of lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper.

A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper, with letterpress recto verso.

“- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités, 1855

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Poster Man, plate 17 from Bohémiens de Paris, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on tan wove paper.

Mules Harnessed, n.d.

Victor Jean Adam

A work made of lithograph on white wove paper.

“- Hello, neighbour... what was all this yelling about... did you see the comet? - I thought I had seen it over there... but then it was just the fire from a chimney... this time we got off with no more than a fright,” plate 3 from La Cométe De 1857, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités, 1841

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse, 1858

Honoré-Victorin Daumier

A work made of pen and brown iron gall ink on cream wove paper.

Bearded Man, n.d.

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Should be a great performance today, Mr.Galuchet... - I should think so... A murder case with a rape thrown in...,” plate 31 from Les Gens De Justice, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra, 1850

Honoré-Victorin Daumier

A work made of lithograph in black, with additions in pen and dark brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper.

An Unpleasant Encounter, plate sixteen from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne, published November 13, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Auguste-Hilarion, Comte de Kératry, September 19, 1833

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

“How much I regret. My arms once so strong, my legs never fat and nothing went wrong” (an ancient song), plate 1 from Silhouettes, 1840

Honoré-Victorin Daumier

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