Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph in black on white wove paper.

Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature, 1833

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes, 1840

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper, with letterpress verso.

“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse, 1855

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Drunkard, 1834

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Relaxation during the dog days, plate 33 from Les Bons Bourgeois, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Madeleine-Bastille Bus Line. A trifle, a nothing... and the bus is full, 1862

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

An Umbrella in a Difficult Position, plate 119 from Actualités, November 25, 1859

Honoré-Victorin Daumier

A work made of charcoal on off-white wove paper.

The Spectators, c. 1860–64

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine, 1844

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The Parisians don't quite trust the assurances of Monsieur Babinet and insist on lying in wait for the comet, plate 394 from Actualités, May 1, 1857

Honoré-Victorin Daumier

A work made of lithograph, with watercolor, heightened with gum arabic on ivory wove paper.

Exploiting friendship. “My dear Alphonse, I've invited these gentlemen, my friends, to dine at your home. I would like them to taste our champagne, we'll laugh... wait a minute! I've an idea. What if we went to the wood? We could take your barouche and you could lend us some clothes as we only came to pay a simple visite... In the meantime, why don't you give us some cards and some Napoleons to pass the time. Eh? My good Alphonse, dear chap. How about it?,” plate 58 from Caricaturana, 1837

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition, 1865

Honoré-Victorin Daumier

A work made of lithograph in black on light gray chine.

To Victor Hugo, 1889

Henri Fantin-Latour

A work made of lithograph in black on ivory wove paper.

“- Husbands are really not what a vain people likes to believe!,” plate 3 from Les Divorceuses, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités, 1859

Honoré-Victorin Daumier

<<<20212223 >>>