Curator

  • Art Institute Chicago
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A work made of watercolor, black crayon and pen and black ink, with black ink transfer, on ivory wove tracing paper, tipped onto ivory laid paper.

Pastoral Scene with Couple and Cows, n.d.

Rudolph Grossmann

A work made of chromogenic print, from the portfolio "groups in america".

Lloyd Rod and Gun Club, Highland, N.Y., 1979

Neal Slavin

A work made of gelatin silver print.

Douglas, Isle of Man, 1968

Tony Ray-Jones

A work made of gelatin silver print.

Quo Vadis, c. 1895

Frank Meadow Sutcliffe

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.

At the Moulin Rouge, 1892–95

Henri de Toulouse-Lautrec

A work made of gum bichromate print.

Untitled, 1980

Helena Chapellín Wilson

A work made of pastel on paper.

Untitled - Early November 1961, 1961

Lucas Samaras

A work made of gelatin silver print.

Louisiana, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Flash Flood, Badlands, South Dakota, 1981

Greg MacGregor

A work made of lithograph on white wove paper.

Edge Event II No. VIII, June 25, 1982

Joseph Piccillo

Cityscape

Cityscape, 1976

John J. Moore

A work made of color lithograph on wove paper.

Sportsmen, plate six from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of gelatin silver print.

The More We're Together, The Happier We Are, 1941

Mary P. Good

A work made of four-color woodcut block print on cream japanese paper.

Chinese Evergreen, 1941

Leonard Havens

A work made of gelatin silver print.

Stephen Leacock, 1941

Yousuf Karsh

Yuzawa, Echigo

Yuzawa, Echigo, 1941

Kawase Hasui

Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

Black-and-white photograph of identical light-skinned, dark-haired girls. They stand shoulder-to-shoulder facing the viewer, wearing identical black dresses with white collars, white tights, and white headbands. The girl on the right smiles with closed lips, while the other does not.

Identical Twins, Roselle, N.J., 1966

Diane Arbus

A work made of gelatin silver print.

Untitled, c. 1967

Judy Dater

A work made of etching in black on off-white wove paper.

Moonlight, plate 30 from Alcools, 1934

Louis Marcoussis

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