Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

A work made of graphite with stumping, erasure and incising on cream wove paper.

Einstein on the Beach, Trial Scene Act 1, Scene 2, 1976

Robert Wilson

A work made of four-color woodcut block print on cream japanese paper.

Chinese Evergreen, 1941

Leonard Havens

A work made of gelatin silver print.

The More We're Together, The Happier We Are, 1941

Mary P. Good

Yuzawa, Echigo

Yuzawa, Echigo, 1941

Kawase Hasui

A work made of gelatin silver print.

Stephen Leacock, 1941

Yousuf Karsh

A work made of gelatin silver print.

Louisiana, 1941, printed 1953/54

Edward Weston

A work made of color lithograph on wove paper.

New Man, plate ten from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of gelatin silver print.

Untitled, 1941/70, printed 1980s

Yasuhiro Ishimoto

A work made of pen and black ink on ivory wove paper.

Head, n.d.

Allela Cornell

A work made of gelatin silver print.

Highway 61, 1967

Mark Steenerson

A work made of collage (gelatin silver prints, newspaper, and ink on paper).

Uri Geller Welcomes Unknown Beings from the Realm of Fables, 1976

Sigmar Polke

A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.

Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921

Piet Mondrian

A work made of lithograph on cream wove paperl laid down on linen.

Lourdes, 1914, 25th International Eucharistic Congress, 1914

Jean Louis Forain

A work made of cotton, plain weave; screen printed.

Koto (Home) (Furnishing Fabric), 1993

Fujiwo Ishimoto

A work made of lithograph on ivory wove paper.

Icarus, 1963

John E. Dowell, Jr.

A charcoal drawing of a nude woman with her features obscured, standing with her weight shifted to her right foot.

Standing Nude Woman, n.d.

Sir George Clausen

A work made of color woodblock print; oban.

Sacred Bridge at Nikko, 1941

Kasamatsu Shiro

A work made of wood engraving in black on ivory japanese paper.

Deer Isle Maine, 1941

Thomas Willoughby Nason

A work made of etching in black on off-white wove paper.

The Song of the Poorly Loved, plate five from Alcools, 1934

Louis Marcoussis

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