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  • Art Institute Chicago
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A work made of cotton and rayon, plain weave.

Sample, 1941/74

Robert D. Sailors

A work made of gelatin silver print.

Mexico City, 1941, printed later

Helen Levitt

Varyingly shaded geometric shapes compose the fractured image of a seated figure in a double-breasted jacket.

Portrait of Picasso, 1947

Juan Gris

Print on cream paper featuring a black background and a tangle of dark red strokes filling the frame from the bottom right.

Lady in Red, n.d.

Eugene Larkin

A work made of oil on canvas.

Cotton Pickers, 1945

Thomas Hart Benton

A work made of watercolor over graphite on off-white wove paper.

View of Worcester, Massachusetts, 1976

John J. Moore

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A work made of encaustic and newspaper on canvas.

Target, 1961

Jasper Johns

A work made of dye imbibition print.

Untitled #10, 1980

Olivia Parker

A work made of watercolor on ivory japanese paper.

Sacrificial Composition 2, 2005

Suzan Frecon

A work made of offset lithograph.

Yardstick Palm (Zollstockpalme), from the portfolio "Higher Beings Command (Höhere Wesen befehlen)", 1966

Sigmar Polke

A work made of letterpress.

Život: Sborník nové krásy (Life: An Anthology of the New Beauty), 1922

Karel Teige

Separation, from the series "Renaissance Paintings and Drawings" (1991)

Separation, from the series "Renaissance Paintings and Drawings" (1991), 1991

Sarah Charlesworth

A work made of cotton, plain weave; screen printed.

Loimi (Warp) Furnishing Fabric, 2000

Fujiwo Ishimoto

A work made of gelatin silver print.

Rodney Plogger at 6:01, from the series "Immediate Family", 1989

Sally Mann

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

A work made of gelatin silver print.

Untitled (Aug. 15, 1943, stamped Never-Fade Photo Prints Oct 4-1943), August 15, 1943, printed October 4, 1943

Unknown Maker

A work made of chromogenic print.

Group Portrait: Staff, Grand Canyon, Arizona, 1974

Neal Slavin

A work made of gelatin silver print.

White Sands, c. 1968

Richard Faller

A work made of soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Loop, 2002

Martin Puryear

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