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  • Art Institute Chicago
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A work made of cotton, plain weave; screen printed.

Taivas (Sky) (Furnishing Fabric), 1985

Fujiwo Ishimoto

Varyingly shaded geometric shapes compose the fractured image of a seated figure in a double-breasted jacket.

Portrait of Picasso, 1947

Juan Gris

A work made of oil on canvas.

Cotton Pickers, 1945

Thomas Hart Benton

A work made of encaustic and newspaper on canvas.

Target, 1961

Jasper Johns

A work made of watercolor over graphite on off-white wove paper.

View of Worcester, Massachusetts, 1976

John J. Moore

A work made of dye imbibition print.

Untitled #10, 1980

Olivia Parker

A work made of offset lithograph.

Yardstick Palm (Zollstockpalme), from the portfolio "Higher Beings Command (Höhere Wesen befehlen)", 1966

Sigmar Polke

A work made of watercolor on ivory japanese paper.

Sacrificial Composition 2, 2005

Suzan Frecon

Woodcut print of a street scene with storefronts and awnings and a crowd of people gathered in front.

Maxwell Street, Chicago, from Yiddish Motifs, 1926

Todros Geller

A work made of color lithograph on tan wove paper.

Jockey-Club Sardines, 1897

Henri Gustave Jossot

Vibrantly colored painting of nude woman lying, and man standing, in lush landscape.

Earthly Paradise, 1916–20

Pierre Bonnard

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

Print on cream paper featuring a black background and a tangle of dark red strokes filling the frame from the bottom right.

Lady in Red, n.d.

Eugene Larkin

Separation, from the series "Renaissance Paintings and Drawings" (1991)

Separation, from the series "Renaissance Paintings and Drawings" (1991), 1991

Sarah Charlesworth

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A work made of gelatin silver print.

White Sands, c. 1968

Richard Faller

A work made of chromogenic print.

Group Portrait: Staff, Grand Canyon, Arizona, 1974

Neal Slavin

A work made of soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Loop, 2002

Martin Puryear

A work made of color screenprint on board.

Mestizos of the State of Yucatan, from Mexican Costume, printed 1941

Carlos Mérida

A work made of gelatin silver print.

"Inez", Graceland Cemetery, Chicago, 1947

Harold Allen

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