Curator

  • Art Institute Chicago
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  • My Exhibition
Varyingly shaded geometric shapes compose the fractured image of a seated figure in a double-breasted jacket.

Portrait of Picasso, 1947

Juan Gris

A work made of cotton and rayon, plain weave.

Sample, 1941/74

Robert D. Sailors

A work made of oil on canvas.

Cotton Pickers, 1945

Thomas Hart Benton

A work made of screenprint on nishinouchi (japanese paper).

Chikatsu-Asuka Historical Museum, Kanan, Japan, Site Plan, 1998

Tadao Ando

Vibrantly colored painting of nude woman lying, and man standing, in lush landscape.

Earthly Paradise, 1916–20

Pierre Bonnard

A work made of gelatin silver print.

Mexico City, 1941, printed later

Helen Levitt

A work made of encaustic and newspaper on canvas.

Target, 1961

Jasper Johns

A work made of etching in black on ivory handmade paper.

Self-Portrait in a Flat Cap (Winter), first state, 1974

Jim Dine

A work made of cotton, plain weave; screen printed.

Taivas (Sky) (Furnishing Fabric), 1985

Fujiwo Ishimoto

Print on cream paper featuring a black background and a tangle of dark red strokes filling the frame from the bottom right.

Lady in Red, n.d.

Eugene Larkin

A work made of aquatint on cream wove paper.

Untitled I, 2002

Martin Puryear

A work made of etching on white wove paper.

Contemplation of the Son by the Son, 1980

Dan Ramirez

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A work made of letterpress.

Život: Sborník nové krásy (Life: An Anthology of the New Beauty), 1922

Karel Teige

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

A work made of watercolor over graphite on off-white wove paper.

View of Worcester, Massachusetts, 1976

John J. Moore

A work made of dye imbibition print.

Untitled #10, 1980

Olivia Parker

A work made of offset lithograph.

Yardstick Palm (Zollstockpalme), from the portfolio "Higher Beings Command (Höhere Wesen befehlen)", 1966

Sigmar Polke

A work made of watercolor on ivory japanese paper.

Sacrificial Composition 2, 2005

Suzan Frecon

A work made of gelatin silver print.

Rodney Plogger at 6:01, from the series "Immediate Family", 1989

Sally Mann

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