Curator

  • Art Institute Chicago
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Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879

Pierre-Auguste Renoir

The New Keepsake for the Year 1921 (Le Nouveau Keepsake pour l'Annee 1921)

The New Keepsake for the Year 1921 (Le Nouveau Keepsake pour l'Annee 1921), 1920

Jean Emile Laboureur

A work made of watercolor and pen and black ink, with red chalk and graphite, over lithograph, on cream laid paper, laid down on white wood-pulp laminate board.

Women Fighting, n.d.

William Rothenstein

Painting of artist drawing on easel, green landscape, stone walls surround him.

The Artist Looks at Nature, 1943

Charles Sheeler

A work made of chromogenic print.

Coal Depot, Duluth Harbor, Fall 1977

Stuart Klipper

A work made of gelatin silver print.

Red Maples, Arnold Arboretum, 1966

Richard Faller

A work made of gelatin silver print.

Tree and Waterfall, Grimes Glen, New York, 1964

Richard Faller

A work made of gelatin silver print.

New York, New York, 1965

Bevan Davies

A work made of offset lithograph, from the portfolio "higher beings command (höhere wesen befehlen)".

Bread Palm (Brotpalme), 1966

Sigmar Polke

Slide Piece

Slide Piece, 1972–73

James Coleman

A work made of gelatin silver print.

Six Street Boys, Cuzco, 1948, printed 1949

Irving Penn

A work made of color woodcut on light-gray japanese paper.

Landscape Gardeners, c. 1941

Leonard Pytlak

A work made of pen and brush and black and colored inks on ivory wove paper.

Untitled, 1944

Jackson Pollock

A work made of aquatint and mezzotint on off-white wove paper.

The All-Powerful Word, 1980

Dan Ramirez

A work made of gelatin silver print.

Sir Winston Churchill, 1941

Yousuf Karsh

A work made of gelatin silver print.

Painted Portrait of Joella by Campigli, 1931, c. 1977

Unknown

A work made of wild silk and cotton, complementary weft plain weave double cloth.

Purple Bird, c. 1899

Charles Francis Annesley Voysey

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

A work made of gelatin silver print.

Two Cholas (Mestizas) From Puno, Cuzco, 1948, printed 1949

Irving Penn

A work made of linen and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as “ghiordes knots,” knotted warp fringe.

Carpet, 1944

Marta Maas-Fjetterstrom

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