Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Colette at her Window in the Palais Royal, September 1941/45

Pierre Jahan

Black print on cream paper with lightly sketched figures. At left is a corseted woman in profile, and at right, a man in coat and top hat. They stand close together, face to face.

Old Man and Young Girl, 1899

Henri de Toulouse-Lautrec

A work made of graphite on cream wove paper, wrapped with transparent film, in artist frame.

Hyksos, 1973

Richard Tuttle

A work made of gelatin silver print.

Paul Robeson (H&S), 1941

Yousuf Karsh

A work made of color woodblock print.

Lake Kinzaki, Shinshu (Shinshu Kinzakiko), 1941

Kawase Hasui

A work made of lithograph on ivory wove paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of gelatin silver print.

Painted Portrait of Joella by Campigli, 1931, c. 1977

Unknown

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background. Each perceived main color is made up of strokes of bright, vibrant colors—reds, blues, pinks, and purples—lending dimension to the scene.

Chrysanthemums, 1881–82

Pierre-Auguste Renoir

A work made of gelatin silver print.

We Will Not Become What We Mean to You, 1983

Barbara Kruger

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

A tall, spindly human figure in rough bronze with an elongated torso and arms and dramatically long, thin, kneeless legs appears to be walking mid-stride, both feet on the ground but quite far apart

Walking Man II, 1960

Alberto Giacometti

A work made of drypoint in black on white wove paper.

The Beautiful Woman of Martinique, 1912

Louis Marcoussis

A work made of etching on white wove paper.

Contemplation of the Virgin, 1980

Dan Ramirez

A work made of etching on white wove paper.

By Him All Has Been Made, 1980

Dan Ramirez

A work made of graphite on white wove paper.

Study, 1980

Dan Ramirez

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Seascape, 1879

Pierre-Auguste Renoir

Miniature room featuring walls decorated with a tropical landscape, a spiral staircase, a crystal chandelier, and two rugs.

A31: Tennessee Entrance Hall, 1835, c. 1940

Narcissa Niblack Thorne

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Near the Lake, 1879–80

Pierre-Auguste Renoir

Painting of the Virgin Mary ascending to heaven amongst multitude of angels.

The Assumption of the Virgin, 1577–79

Domenico Theotokópoulos, called El Greco

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