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The New Keepsake for the Year 1921 (Le Nouveau Keepsake pour l'Annee 1921)

The New Keepsake for the Year 1921 (Le Nouveau Keepsake pour l'Annee 1921), 1920

Jean Emile Laboureur

A work made of oil on canvas.

Vétheuil, 1901

Claude Monet

A work made of graphite on cream wove paper, wrapped with transparent film, in artist frame.

Hyksos, 1973

Richard Tuttle

A work made of chromogenic print.

May Pole, Short Mountain Sanctuary, Liberty, Tennessee, from the series "Sweet Earth: Experimental Utopias in America", May 2005

Joel Sternfeld

A work made of oil on cardboard.

Nude with Cats, 1901

Pablo Picasso

A work made of color woodblock print.

Lake Kinzaki, Shinshu (Shinshu Kinzakiko), 1941

Kawase Hasui

A work made of gelatin silver print.

Paul Robeson (H&S), 1941

Yousuf Karsh

A work made of gelatin silver print.

Woman under Six Lights, 1950/55

Ralph M. Hattersley

A work made of drypoint in black on white wove paper.

The Beautiful Woman of Martinique, 1912

Louis Marcoussis

Black print on cream paper with lightly sketched figures. At left is a corseted woman in profile, and at right, a man in coat and top hat. They stand close together, face to face.

Old Man and Young Girl, 1899

Henri de Toulouse-Lautrec

A work made of graphite on white wove paper.

Study, 1980

Dan Ramirez

A work made of etching on white wove paper.

Contemplation of the Virgin, 1980

Dan Ramirez

A work made of etching on white wove paper.

By Him All Has Been Made, 1980

Dan Ramirez

A work made of gelatin silver print.

Painted Portrait of Joella by Campigli, 1931, c. 1977

Unknown

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background. Each perceived main color is made up of strokes of bright, vibrant colors—reds, blues, pinks, and purples—lending dimension to the scene.

Chrysanthemums, 1881–82

Pierre-Auguste Renoir

A work made of gelatin silver print.

Santa Fe Engine, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

We Will Not Become What We Mean to You, 1983

Barbara Kruger

A tall, spindly human figure in rough bronze with an elongated torso and arms and dramatically long, thin, kneeless legs appears to be walking mid-stride, both feet on the ground but quite far apart

Walking Man II, 1960

Alberto Giacometti

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