Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Colette at her Window in the Palais Royal, September 1941/45

Pierre Jahan

A work made of drypoint in black on white wove paper.

The Beautiful Woman of Martinique, 1912

Louis Marcoussis

A work made of graphite on white wove paper.

Study, 1980

Dan Ramirez

A work made of etching on white wove paper.

Contemplation of the Virgin, 1980

Dan Ramirez

A work made of etching on white wove paper.

By Him All Has Been Made, 1980

Dan Ramirez

A work made of chromogenic print.

May Pole, Short Mountain Sanctuary, Liberty, Tennessee, from the series "Sweet Earth: Experimental Utopias in America", May 2005

Joel Sternfeld

Miniature room featuring walls decorated with a tropical landscape, a spiral staircase, a crystal chandelier, and two rugs.

A31: Tennessee Entrance Hall, 1835, c. 1940

Narcissa Niblack Thorne

A work made of gelatin silver print.

Woman under Six Lights, 1950/55

Ralph M. Hattersley

A work made of color woodblock print.

Lake Kinzaki, Shinshu (Shinshu Kinzakiko), 1941

Kawase Hasui

A work made of gelatin silver print.

Paul Robeson (H&S), 1941

Yousuf Karsh

Miniature room featuring wide-plank hardwood floors, round hooked rugs, simple wooden furnishings, and a wood-burning stove. The window frames and door frames are painted green, while the walls are a light butter yellow.

A18: Shaker Living Room, c. 1800, c. 1940

Narcissa Niblack Thorne

Black print on cream paper with lightly sketched figures. At left is a corseted woman in profile, and at right, a man in coat and top hat. They stand close together, face to face.

Old Man and Young Girl, 1899

Henri de Toulouse-Lautrec

A work made of gelatin silver print.

Untitled, from the portfolio "Institute of Design Student Independent, 1971", n.d.

Charles Swedlund

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background. Each perceived main color is made up of strokes of bright, vibrant colors—reds, blues, pinks, and purples—lending dimension to the scene.

Chrysanthemums, 1881–82

Pierre-Auguste Renoir

A work made of gelatin silver print.

We Will Not Become What We Mean to You, 1983

Barbara Kruger

A work made of oil on canvas.

In the Third Sleep, 1944

Kay Sage

A work made of wool, cotton, and linen, plain weave of discontinuous wefts with supplementary brocading wefts.

Homage to Louis Sullivan (Study), 1986

Helena Hernmarck

A tall, spindly human figure in rough bronze with an elongated torso and arms and dramatically long, thin, kneeless legs appears to be walking mid-stride, both feet on the ground but quite far apart

Walking Man II, 1960

Alberto Giacometti

A work made of pen and black ink, with graphite and smudging, and red colored pencil on ivory graph paper.

Grey Felt, Aluminum, 1967

Barry Le Va

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