Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Colette at her Window in the Palais Royal, September 1941/45

Pierre Jahan

A work made of gelatin silver print.

Paul Robeson (H&S), 1941

Yousuf Karsh

A work made of color woodblock print.

Lake Kinzaki, Shinshu (Shinshu Kinzakiko), 1941

Kawase Hasui

A work made of drypoint in black on white wove paper.

The Beautiful Woman of Martinique, 1912

Louis Marcoussis

A work made of graphite on white wove paper.

Study, 1980

Dan Ramirez

A work made of etching on white wove paper.

Contemplation of the Virgin, 1980

Dan Ramirez

A work made of etching on white wove paper.

By Him All Has Been Made, 1980

Dan Ramirez

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background. Each perceived main color is made up of strokes of bright, vibrant colors—reds, blues, pinks, and purples—lending dimension to the scene.

Chrysanthemums, 1881–82

Pierre-Auguste Renoir

A work made of gelatin silver print.

We Will Not Become What We Mean to You, 1983

Barbara Kruger

Miniature room featuring walls decorated with a tropical landscape, a spiral staircase, a crystal chandelier, and two rugs.

A31: Tennessee Entrance Hall, 1835, c. 1940

Narcissa Niblack Thorne

A tall, spindly human figure in rough bronze with an elongated torso and arms and dramatically long, thin, kneeless legs appears to be walking mid-stride, both feet on the ground but quite far apart

Walking Man II, 1960

Alberto Giacometti

A work made of gelatin silver print.

Untitled, from the portfolio "Institute of Design Student Independent, 1971", n.d.

Charles Swedlund

Miniature room featuring wide-plank hardwood floors, round hooked rugs, simple wooden furnishings, and a wood-burning stove. The window frames and door frames are painted green, while the walls are a light butter yellow.

A18: Shaker Living Room, c. 1800, c. 1940

Narcissa Niblack Thorne

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Seascape, 1879

Pierre-Auguste Renoir

A work made of cotton, plain weave; screen printed.

Karuselli (Carousel) (Furnishing Fabric), 1973

Katsuji Wakisaka

Painting of the Virgin Mary ascending to heaven amongst multitude of angels.

The Assumption of the Virgin, 1577–79

Domenico Theotokópoulos, called El Greco

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Near the Lake, 1879–80

Pierre-Auguste Renoir

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.

Equestrienne (At the Cirque Fernando), 1887–88

Henri de Toulouse-Lautrec

A work made of the reflecting pool, 1977-79, 6:58 min.; moonblood, 1977-79, 12:48 min.; silent life, 1979, 13:14 min.; ancient of days, 1979-81, 12:21 min.; vegetable memory, 1978-80, 15:13 min. color video, sound (projection); 62 min. loop.

The Reflecting Pool: Collected Works, 1977–80

Bill Viola

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