Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving and drypoint in black on white wove paper.

L'Apprentissage de la Liberté, 1976

Philippe Mohlitz

Abstract line composition of black lines at right angles forming quadrants including a gray square at upper left and a gray rectangle and red rectangle at lower right, against a white background.

Composition (No. 1) Gray-Red, 1935

Piet Mondrian

Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of photomechanical print, from the portfolio crackerjacks, 1977.

#1 Support Systems, 1977

Susan Friedman

A work made of etching in black on off-white wove paper.

Rosemonde, plate 21 from Alcools, 1934

Louis Marcoussis

Painting of centaur with harp, in water, surrounded by mermaids and mermen.

In the Sea, 1883

Arnold Böcklin

A work made of cotton, plain weave; screen printed.

Taivas (Sky) (Furnishing Fabric), 1985

Fujiwo Ishimoto

A work made of book containing text and ten lithographs on buff wove paper.

Mazas, 1894

Maximilien Luce

A work made of gelatin silver print.

Paul Robeson (H&S), 1941

Yousuf Karsh

A work made of color woodblock print.

Lake Kinzaki, Shinshu (Shinshu Kinzakiko), 1941

Kawase Hasui

A work made of gelatin silver print.

Colette at her Window in the Palais Royal, September 1941/45

Pierre Jahan

A work made of gelatin silver print.

Lima #141, 1979

Aaron Siskind

A work made of drypoint in black on ivory laid paper.

Young Woman at Rest, 1889

Berthe Morisot

Miniature room featuring walls decorated with a tropical landscape, a spiral staircase, a crystal chandelier, and two rugs.

A31: Tennessee Entrance Hall, 1835, c. 1940

Narcissa Niblack Thorne

A work made of albumen print.

Black and White, 1880s

Frank Meadow Sutcliffe

Miniature room featuring wide-plank hardwood floors, round hooked rugs, simple wooden furnishings, and a wood-burning stove. The window frames and door frames are painted green, while the walls are a light butter yellow.

A18: Shaker Living Room, c. 1800, c. 1940

Narcissa Niblack Thorne

A work made of offset lithograph, from the portfolio "higher beings command (höhere wesen befehlen)".

Glass Palm (Glaspalme), 1966

Sigmar Polke

A work made of offset lithograph, from the portfolio "higher beings command (höhere wesen befehlen)".

The Whip (Die Peitsche), 1968

Sigmar Polke

A work made of cut, woven, and scored white wove paper with graphite and sprayed and diluted inks.

Untitled, 1977

Sarah Anne Canright

Color photograph of a cemetery, a large open grave in the foreground with a rumpled tarp and pile of gravel nearby. The grave is filled with water and marine life, including several starfish.

The Flooded Grave, 1998–2000

Jeff Wall

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