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A work made of etching in black on off-white wove paper.

Rosemonde, plate 21 from Alcools, 1934

Louis Marcoussis

A work made of gelatin silver print.

Two Cholas (Mestizas) From Puno, Cuzco, 1948, printed 1949

Irving Penn

A work made of book containing text and ten lithographs on buff wove paper.

Mazas, 1894

Maximilien Luce

Painting in shades of dark red, brown, and black, depicting figures crowded in a doorway of a small hut, engaged in conflict. One man looms in front of the doorway with a stoic expression, and four other figures kneel and stand beside him. One points a sword at his face.

Zapata, 1930

José Clemente Orozco

The New Keepsake for the Year 1921 (Le Nouveau Keepsake pour l'Annee 1921)

The New Keepsake for the Year 1921 (Le Nouveau Keepsake pour l'Annee 1921), 1920

Jean Emile Laboureur

A work made of color screenprint on board.

Huastecs of the State of San Luis Potosi, from Mexican Costume, printed 1941

Carlos Mérida

A work made of color screenprint on board.

Aztecs of the State of Mexico, from Mexican Costume, printed 1941

Carlos Mérida

A work made of lithograph on ivory wove paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of oil on canvas.

Vétheuil, 1901

Claude Monet

A work made of oil on canvas.

Dorothea and Francesca, 1898

Cecilia Beaux

A work made of gelatin silver print.

Shrimp Boats, Morgan City, Louisiana, 1941, printed 1953/54

Edward Weston

A work made of oil on cardboard.

Nude with Cats, 1901

Pablo Picasso

A work made of oil on canvas.

Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875

Pierre-Auguste Renoir

A work made of albumen print.

Black and White, 1880s

Frank Meadow Sutcliffe

A work made of offset lithograph, from the portfolio "higher beings command (höhere wesen befehlen)".

Glass Palm (Glaspalme), 1966

Sigmar Polke

A work made of offset lithograph, from the portfolio "higher beings command (höhere wesen befehlen)".

The Whip (Die Peitsche), 1968

Sigmar Polke

A work made of cut, woven, and scored white wove paper with graphite and sprayed and diluted inks.

Untitled, 1977

Sarah Anne Canright

A work made of gelatin silver print.

Painted Portrait of Joella by Campigli, 1931, c. 1977

Unknown

A work made of chromogenic print.

May Pole, Short Mountain Sanctuary, Liberty, Tennessee, from the series "Sweet Earth: Experimental Utopias in America", May 2005

Joel Sternfeld

A work made of linen and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as “ghiordes knots,” knotted warp fringe.

Carpet, 1944

Marta Maas-Fjetterstrom

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