Holy Emissary, from Yiddish Motifs

Geller’s Yiddish Motifs portfolio depicts scenes of Jewish identity and daily life in a series of seven woodcuts printed on Japanese wood veneer paper, an unusual paper choice, given that it was typically used for decorative purposes. Maxwell Street was a predominantly Jewish neighborhood on the city’s Near West Side, known for its large outdoor bazaar, sadly dismantled in the 1990s by development. These prints show a crowded marketplace, a vendor at work, a student in deep concentration, and a pair of street musicians. The Yiddish Motifs portfolio was a great success, with the entire edition selling out in just three weeks.