Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A tall, spindly human figure in rough bronze with an elongated torso and arms and dramatically long, thin, kneeless legs appears to be walking mid-stride, both feet on the ground but quite far apart

Walking Man II, 1960

Alberto Giacometti

Miniature room featuring wide-plank hardwood floors, round hooked rugs, simple wooden furnishings, and a wood-burning stove. The window frames and door frames are painted green, while the walls are a light butter yellow.

A18: Shaker Living Room, c. 1800, c. 1940

Narcissa Niblack Thorne

A work made of gelatin silver print.

Pittsburgh, 1941, printed 1953/54

Edward Weston

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Seascape, 1879

Pierre-Auguste Renoir

A work made of gelatin silver print.

Lima #141, 1979

Aaron Siskind

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Near the Lake, 1879–80

Pierre-Auguste Renoir

A work made of color screenprint on cream wove paper.

What about India?, 1941/43

Maurice Merlin

Painting of the Virgin Mary ascending to heaven amongst multitude of angels.

The Assumption of the Virgin, 1577–79

Domenico Theotokópoulos, called El Greco

A work made of cotton, plain weave; screen printed.

Karuselli (Carousel) (Furnishing Fabric), 1973

Katsuji Wakisaka

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.

Equestrienne (At the Cirque Fernando), 1887–88

Henri de Toulouse-Lautrec

A work made of pen and black ink, with graphite and smudging, and red colored pencil on ivory graph paper.

Grey Felt, Aluminum, 1967

Barry Le Va

A work made of wool, cotton, and linen, plain weave of discontinuous wefts with supplementary brocading wefts.

Homage to Louis Sullivan (Study), 1986

Helena Hernmarck

A work made of the reflecting pool, 1977-79, 6:58 min.; moonblood, 1977-79, 12:48 min.; silent life, 1979, 13:14 min.; ancient of days, 1979-81, 12:21 min.; vegetable memory, 1978-80, 15:13 min. color video, sound (projection); 62 min. loop.

The Reflecting Pool: Collected Works, 1977–80

Bill Viola

Painting of a cabin set below a dark blue sky and fluffy white clouds. Behind it is a field of many small white dots. In front, a dark-skinned woman sits and a dark-skinned child plays among roaming chickens and dogs in a fenced-in yard.

Cabin in the Cotton, c. 1931–37

Horace Pippin

A work made of watercolor, with touches of gouache, over graphite, on off-white wove paper.

On the Balcony, 1871/72

Berthe Morisot

A work made of woodcut in black ink on japanese wood veneer paper, laid down on ivory laid paper with letterpress in black ink.

Horse Radish Grinder, from Yiddish Motifs, 1926

Todros Geller

A work made of graphite on tracing paper.

Lambert H. Ennis House, Evanston, Illinois, Elevations and Section, 1941

William Ferguson Deknatel

A work made of brown leather valise with handle containing sixty-nine miniature replicas, printed reproductions and one original, sonate,1938, hand-colored collotype.

De ou par Marcel Duchamp ou Rrose Sélavy, Boîte-en-Valise (From or by Marcel Duchamp or Rrose Sélavy, Box in a Valise), 1941

Marcel Duchamp

A work made of gouache and graphite stenciled drawing on illustration board.

Tzeltzales of the State of Chiapas, from Mexican Costume, 1941

Carlos Mérida

A work made of gouache and graphite stenciled drawing on illustration board.

Chamulas of the State of Chiapas, from Mexican Costume, 1941

Carlos Mérida

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