Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Near the Lake, 1879–80

Pierre-Auguste Renoir

Miniature room featuring wide-plank hardwood floors, round hooked rugs, simple wooden furnishings, and a wood-burning stove. The window frames and door frames are painted green, while the walls are a light butter yellow.

A18: Shaker Living Room, c. 1800, c. 1940

Narcissa Niblack Thorne

Painting of the Virgin Mary ascending to heaven amongst multitude of angels.

The Assumption of the Virgin, 1577–79

Domenico Theotokópoulos, called El Greco

A work made of cotton, plain weave; screen printed.

Karuselli (Carousel) (Furnishing Fabric), 1973

Katsuji Wakisaka

A work made of gelatin silver print.

Santa Fe Engine, 1941, printed 1953/54

Edward Weston

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.

Equestrienne (At the Cirque Fernando), 1887–88

Henri de Toulouse-Lautrec

A work made of gelatin silver print.

Untitled, from the portfolio "Institute of Design Student Independent, 1971", n.d.

Charles Swedlund

A work made of gelatin silver print.

Pittsburgh, 1941, printed 1953/54

Edward Weston

A work made of the reflecting pool, 1977-79, 6:58 min.; moonblood, 1977-79, 12:48 min.; silent life, 1979, 13:14 min.; ancient of days, 1979-81, 12:21 min.; vegetable memory, 1978-80, 15:13 min. color video, sound (projection); 62 min. loop.

The Reflecting Pool: Collected Works, 1977–80

Bill Viola

A work made of screenprint on nishinouchi (japanese paper).

Japan Pavilion, Seville, Spain, Exterior Perspective, 1998

Tadao Ando

Painting of a cabin set below a dark blue sky and fluffy white clouds. Behind it is a field of many small white dots. In front, a dark-skinned woman sits and a dark-skinned child plays among roaming chickens and dogs in a fenced-in yard.

Cabin in the Cotton, c. 1931–37

Horace Pippin

A work made of color screenprint on cream wove paper.

What about India?, 1941/43

Maurice Merlin

A work made of woodcut in black ink on japanese wood veneer paper, laid down on ivory laid paper with letterpress in black ink.

Horse Radish Grinder, from Yiddish Motifs, 1926

Todros Geller

A work made of watercolor, with touches of gouache, over graphite, on off-white wove paper.

On the Balcony, 1871/72

Berthe Morisot

A work made of aquatint with etching in black on ivory laid paper.

The Little Harbor, c. 1940

Emil Ganso

A work made of graphite, with photographic and paper collage elements on off-white wove graph paper.

TC IV: Study, 1981

Dan Ramirez

A work made of graphite and spray paint on cream wove paper.

Early Rutgers Drawing, 1966

Keith Sonnier

A work made of gelatin silver print.

Cooking on the street, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of gelatin silver print.

Georgia O'Keeffe—Torso, 1918

Alfred Stieglitz

A work made of oil on canvas.

Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End, 1942–43, 1948–55, 1957–63

Ivan Albright

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