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Woodcut of a man's face in profile, his gaze cast toward the lower-right corner of the print, which is darkened.

Holy Emissary, from Yiddish Motifs, 1926

Todros Geller

A work made of color woodblock print; oban.

Nigatsu Hall, Nara (Nara Nigatsudo), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)", 1921

Kawase Hasui

A work made of gelatin silver print.

Connecticut, 1941, printed 1953/54

Edward Weston

A work made of oil on canvas.

Vétheuil, 1901

Claude Monet

A work made of bronze.

Boxer, 1942

Richmond Barthé

A work made of wool, cotton, and linen, plain weave of discontinuous wefts with supplementary brocading wefts.

Homage to Louis Sullivan (Study), 1986

Helena Hernmarck

Blurry rectangles of yellow, gray, and black float against background of orange.

Number 19, 1949

Mark Rothko

Painting in shades of dark red, brown, and black, depicting figures crowded in a doorway of a small hut, engaged in conflict. One man looms in front of the doorway with a stoic expression, and four other figures kneel and stand beside him. One points a sword at his face.

Zapata, 1930

José Clemente Orozco

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Hippy Hollow, Lake Travis, Austin Texas (Nude Woman Wading into Water), 1973

Garry Winogrand

A work made of pen and black ink, with graphite and smudging, and red colored pencil on ivory graph paper.

Grey Felt, Aluminum, 1967

Barry Le Va

A work made of oil on canvas.

Departure of Summer, 1914

Man Ray (Emmanuel Radnitzky)

A work made of oil on canvas.

The River, 1942

O. Louis Guglielmi

A work made of oil on canvas.

Dorothea and Francesca, 1898

Cecilia Beaux

A work made of oil on canvas.

Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875

Pierre-Auguste Renoir

Painting of light-colored sand, gray hills of uncertain size, and a strip of blue sky.

The Black Place, 1943

Georgia O'Keeffe

A work made of oil on canvas.

The Indestructibles, 1946

Philip Evergood

A work made of gelatin silver print.

Tombstone, Old Deerfield, Massachusetts, 1941, printed 1953/54

Edward Weston

A work made of screenprint on nishinouchi (japanese paper).

Japan Pavilion, Seville, Spain, Exterior Perspective, 1998

Tadao Ando

A work made of chromogenic print.

May Pole, Short Mountain Sanctuary, Liberty, Tennessee, from the series "Sweet Earth: Experimental Utopias in America", May 2005

Joel Sternfeld

A work made of collage of brush and black ink on off-white wove paper, cut and laid down with brown gummed paper tape on wood pulp board.

Study for "Cité": Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951

Ellsworth Kelly

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