Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Departure of Summer, 1914

Man Ray (Emmanuel Radnitzky)

A work made of oil on canvas.

The River, 1942

O. Louis Guglielmi

Painting of light-colored sand, gray hills of uncertain size, and a strip of blue sky.

The Black Place, 1943

Georgia O'Keeffe

A work made of oil on canvas.

The Indestructibles, 1946

Philip Evergood

A work made of drypoint in black on white wove paper.

The Beautiful Woman of Martinique, 1912

Louis Marcoussis

Color photograph of a cemetery, a large open grave in the foreground with a rumpled tarp and pile of gravel nearby. The grave is filled with water and marine life, including several starfish.

The Flooded Grave, 1998–2000

Jeff Wall

A stately white home outlined in black with columns, lattices, ornate ironwork, and a decorative frieze. A yellow sky with huge clouds and full, sienna-toned trees frame the home.

Old Munich, 1905

Gustave Baumann

A work made of graphite on white wove paper.

Study, 1980

Dan Ramirez

A work made of etching on white wove paper.

Contemplation of the Virgin, 1980

Dan Ramirez

A work made of etching on white wove paper.

By Him All Has Been Made, 1980

Dan Ramirez

A work made of gelatin silver print.

Connecticut, 1941, printed 1953/54

Edward Weston

Tall city buildings seen at close range from the water, illuminated by hundreds of lighted windows and suffused with a dreamy light-blue and gray haze. Boats below emit blue steam.

Afterglow, c. 1913

Jonas Lie

Woodcut of a man's face in profile, his gaze cast toward the lower-right corner of the print, which is darkened.

Holy Emissary, from Yiddish Motifs, 1926

Todros Geller

A work made of collage of brush and black ink on off-white wove paper, cut and laid down with brown gummed paper tape on wood pulp board.

Study for "Cité": Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951

Ellsworth Kelly

Miniature dining room with mint-green walls and two large windows on the back wall, between which hangs a portrait of a Revolutionary-era man flanked by two vases. A formal wooden table with two chairs sits in the room's center, a fireplace with a mirror on the mantle and two tall stools at left.

A10: Massachusetts Dining Room, 1795, c. 1940

Narcissa Niblack Thorne

A work made of tempera on board.

The Cloisters, 1949

Andrew Wyeth

Abstract work of numerous vertical lines dividing a horizontal image, making rectangular shapes in black, white, yellow, and white with tiny black dots forming the effect of a gray gradient. Many of the shapes have diagonal white bands running irregularly across them, evoking reflective surfaces of different angles.

Mirror #3 (Six Panels), 1971

Roy Lichtenstein

Semiabstracted painting, narrow road in the foreground disappears behind misty fog, pink hilltop in the distant background.

Road – Mesa with Mist, 1961

Georgia O'Keeffe

A work made of gelatin silver print.

Tombstone, Old Deerfield, Massachusetts, 1941, printed 1953/54

Edward Weston

An oil painting of a large, male African American figure who looks left into the distance. He holds his hand out towards the dark blue sky, and he appears to break free from a pile of rubble in the background.

This, My Brother, 1942

Charles White

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