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A work made of graphite on white wove paper.

Study, 1980

Dan Ramirez

A work made of etching on white wove paper.

Contemplation of the Virgin, 1980

Dan Ramirez

A work made of etching on white wove paper.

By Him All Has Been Made, 1980

Dan Ramirez

Tall city buildings seen at close range from the water, illuminated by hundreds of lighted windows and suffused with a dreamy light-blue and gray haze. Boats below emit blue steam.

Afterglow, c. 1913

Jonas Lie

Woodcut of a man's face in profile, his gaze cast toward the lower-right corner of the print, which is darkened.

Holy Emissary, from Yiddish Motifs, 1926

Todros Geller

A work made of oil on canvas.

Vétheuil, 1901

Claude Monet

A work made of gelatin silver print.

Connecticut, 1941, printed 1953/54

Edward Weston

A work made of bronze.

Boxer, 1942

Richmond Barthé

Blurry rectangles of yellow, gray, and black float against background of orange.

Number 19, 1949

Mark Rothko

A work made of oil on canvas.

Departure of Summer, 1914

Man Ray (Emmanuel Radnitzky)

A work made of oil on canvas.

The River, 1942

O. Louis Guglielmi

Painting of light-colored sand, gray hills of uncertain size, and a strip of blue sky.

The Black Place, 1943

Georgia O'Keeffe

A work made of oil on canvas.

The Indestructibles, 1946

Philip Evergood

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Hippy Hollow, Lake Travis, Austin Texas (Nude Woman Wading into Water), 1973

Garry Winogrand

A work made of wool, cotton, and linen, plain weave of discontinuous wefts with supplementary brocading wefts.

Homage to Louis Sullivan (Study), 1986

Helena Hernmarck

A work made of pen and black ink, with graphite and smudging, and red colored pencil on ivory graph paper.

Grey Felt, Aluminum, 1967

Barry Le Va

Painting in shades of dark red, brown, and black, depicting figures crowded in a doorway of a small hut, engaged in conflict. One man looms in front of the doorway with a stoic expression, and four other figures kneel and stand beside him. One points a sword at his face.

Zapata, 1930

José Clemente Orozco

A work made of gelatin silver print.

Tombstone, Old Deerfield, Massachusetts, 1941, printed 1953/54

Edward Weston

A work made of collage of brush and black ink on off-white wove paper, cut and laid down with brown gummed paper tape on wood pulp board.

Study for "Cité": Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951

Ellsworth Kelly

A work made of oil on canvas.

Dorothea and Francesca, 1898

Cecilia Beaux

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