Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

Monochromatic drawing of a nude female figure bent over her legs, hair hanging, softly shaded in brown ink.

Female Nude Bending Toward the Left, n.d.

Georg Kolbe

Abstract painting of bright rectangles in various sizes, in shades of light and dark orange as well as yellow, blue, lime green, and pink. A small white, amorphous shape sits at top center.

The Golden Wall, 1961

Hans Hofmann

A work made of pen and brush and black ink, blue pencil, white heightening, and collage attachments on cream card.

Real Pulp #2, 1973

S. Clay Wilson

A work made of offset lithograph in black on buff wove paper.

Hairy Who, 1966

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of digital iris print on somerset paper.

Clara, 1997

Helena Chapellín Wilson

Black-and-white photograph of a light-skinned woman's face in profile, looking down, her dark hair in loose curls.

Flavia Flavin, 1945

Johan Hagemeyer

A work made of color lithograph on wove paper.

Old Man (Head Two Paces Back), plate eight from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of watercolor and pen and black ink, over graphite (recto), and pen and black ink (verso), on white wove paper.

Abstract Landscape (recto); Sheet of Sketches: Figure Studies (verso), 1934/46

Richard Burgess

A work made of drypoint on cream wove paper.

American Game, 1941

David Bekker

A work made of graphite on tablet paper.

Illinois Institute of Technology, Chicago, Illinois, Typical Building, Two Perspective Sketches, c. 1940–1941

Ludwig Mies van der Rohe

A work made of screenprint on nishinouchi (japanese paper).

Chikatsu-Asuka Historical Museum, Kanan, Japan, Site Plan, 1998

Tadao Ando

A work made of aquatint on cream wove paper.

Untitled I, 2002

Martin Puryear

A work made of oil on canvas.

The Earth Is a Man, 1942

Matta

A work made of etching on white wove paper.

Contemplation of the Son by the Son, 1980

Dan Ramirez

A work made of lithograph on cream wove paper.

The Palizada River, from Estampas de Yucatán, 1945, published 1946

Alfredo Zalce

A work made of gelatin silver print.

Municipal Trailer Camp, Sarasota, Florida, 1941, printed later

Walker Evans

A work made of etching in black on ivory handmade paper.

Self-Portrait in a Flat Cap (Winter), first state, 1974

Jim Dine

A work made of cotton, plain weave; screen printed.

Taivas (Sky) (Furnishing Fabric), 1985

Fujiwo Ishimoto

A work made of wood-block print, printed in black ink on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, printed 1941/42

Paul Gauguin

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