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A work made of encaustic and newspaper on canvas.

Target, 1961

Jasper Johns

A work made of etching in black on off-white wove paper.

Lul of Faltenin, plate eighteen from Alcools, 1934

Louis Marcoussis

A work made of color lithograph on wove paper.

Announcer, plate two from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of color lithograph on wove paper.

Gravediggers, plate nine from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of gelatin silver print.

Midway Studio, University of Chicago, 1975

José Lopez

Separation, from the series "Renaissance Paintings and Drawings" (1991)

Separation, from the series "Renaissance Paintings and Drawings" (1991), 1991

Sarah Charlesworth

A work made of pen and brush and black ink, blue pencil, white heightening, and collage attachments on cream card.

Real Pulp #2, 1973

S. Clay Wilson

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

Black-and-white photograph of identical light-skinned, dark-haired girls. They stand shoulder-to-shoulder facing the viewer, wearing identical black dresses with white collars, white tights, and white headbands. The girl on the right smiles with closed lips, while the other does not.

Identical Twins, Roselle, N.J., 1966

Diane Arbus

A work made of digital iris print on somerset paper.

Clara, 1997

Helena Chapellín Wilson

A work made of color lithograph on wove paper.

Old Man (Head Two Paces Back), plate eight from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of gelatin silver print.

"Inez", Graceland Cemetery, Chicago, 1947

Harold Allen

A work made of color screenprint on board.

Mestizos of the State of Yucatan, from Mexican Costume, printed 1941

Carlos Mérida

A work made of screenprint on nishinouchi (japanese paper).

Chikatsu-Asuka Historical Museum, Kanan, Japan, Site Plan, 1998

Tadao Ando

A work made of etching on cream laid paper.

Skipping, 1921

Eileen Alice Soper

A work made of gelatin silver print.

Untitled (Aug. 15, 1943, stamped Never-Fade Photo Prints Oct 4-1943), August 15, 1943, printed October 4, 1943

Unknown Maker

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

Print in black ink of a light-skinned man with a light-colored beard, wearing a wide ruffled color, his name and occupation inscribed in Latin below him.

Jan de Wael, 1630/33

Anthony van Dyck

A work made of aquatint on cream wove paper.

Untitled I, 2002

Martin Puryear

A work made of etching on white wove paper.

Contemplation of the Son by the Son, 1980

Dan Ramirez

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