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A work made of color screenprint on board.

Mestizos of the State of Yucatan, from Mexican Costume, printed 1941

Carlos Mérida

A work made of gelatin silver print.

White Sands, c. 1968

Richard Faller

A work made of chromogenic print.

Group Portrait: Staff, Grand Canyon, Arizona, 1974

Neal Slavin

A work made of soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Loop, 2002

Martin Puryear

A work made of gelatin silver print.

Rodney Plogger at 6:01, from the series "Immediate Family", 1989

Sally Mann

A work made of letterpress.

Život: Sborník nové krásy (Life: An Anthology of the New Beauty), 1922

Karel Teige

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

A work made of cotton, plain weave; screen printed.

Loimi (Warp) Furnishing Fabric, 2000

Fujiwo Ishimoto

A work made of gelatin silver print.

Untitled, 1941/43

György Kepes

A work made of oil on canvas.

Farm near Duivendrecht, c. 1916

Piet Mondrian

A work made of gelatin silver print.

"Inez", Graceland Cemetery, Chicago, 1947

Harold Allen

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

A work made of etching on cream laid paper.

Skipping, 1921

Eileen Alice Soper

Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879

Pierre-Auguste Renoir

A work made of watercolor and pen and black ink, with red chalk and graphite, over lithograph, on cream laid paper, laid down on white wood-pulp laminate board.

Women Fighting, n.d.

William Rothenstein

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

A work made of color screenprint on board.

Toltecs of the State of Puebla, from Mexican Costume, printed 1941

Carlos Mérida

A work made of offset lithograph in brown on yellow wove paper.

The Hairy Who, 1967

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of etching in black on off-white wove paper.

Vendémiaire, plate 34 from Alcools, 1934

Louis Marcoussis

A work made of color etching and aquatint on ivory wove paper.

Juggler, 1941

Leonard Havens

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