Curator

  • Art Institute Chicago
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A work made of letterpress.

Život: Sborník nové krásy (Life: An Anthology of the New Beauty), 1922

Karel Teige

A work made of color screenprint on board.

Mestizos of the State of Yucatan, from Mexican Costume, printed 1941

Carlos Mérida

A work made of gelatin silver print.

Rodney Plogger at 6:01, from the series "Immediate Family", 1989

Sally Mann

A work made of color lithograph on tan wove paper.

Jockey-Club Sardines, 1897

Henri Gustave Jossot

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

Separation, from the series "Renaissance Paintings and Drawings" (1991)

Separation, from the series "Renaissance Paintings and Drawings" (1991), 1991

Sarah Charlesworth

A work made of oil on canvas.

Farm near Duivendrecht, c. 1916

Piet Mondrian

A work made of etching in black on off-white wove paper.

Vendémiaire, plate 34 from Alcools, 1934

Louis Marcoussis

A work made of offset lithograph in brown on yellow wove paper.

The Hairy Who, 1967

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of gelatin silver print.

"Inez", Graceland Cemetery, Chicago, 1947

Harold Allen

Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879

Pierre-Auguste Renoir

A work made of gelatin silver print.

Untitled (Aug. 15, 1943, stamped Never-Fade Photo Prints Oct 4-1943), August 15, 1943, printed October 4, 1943

Unknown Maker

A work made of gelatin silver print.

Untitled, 1941/43

György Kepes

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

A work made of etching on cream laid paper.

Skipping, 1921

Eileen Alice Soper

A work made of watercolor and pen and black ink, with red chalk and graphite, over lithograph, on cream laid paper, laid down on white wood-pulp laminate board.

Women Fighting, n.d.

William Rothenstein

A work made of bleached birch with lacquered finish.

Parzival, a Chair with a Shadow, designed 1987, made 1990

Robert Wilson

A work made of gum bichromate print.

Untitled, 1989

Helena Chapellín Wilson

A work made of cotton, plain weave; screen printed.

Pisara (Furnishing Fabric), 2000

Fujiwo Ishimoto

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

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