Curator

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A work made of glass.

Paperweight, 1970/80

A work made of engraving in black on buff laid paper.

Faith, plate 40 from Genii and Virtues, 1470/80

Master of the S-Series Tarocchi

A work made of gelatin silver print.

Hancock County Court House, Sparta, GA, 1969/80

Jim Dow

A work made of stoneware (jasperware).

Portland Vase, 1860/80

Wedgwood Manufactory

A work made of pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk.

Virgin and Child with Saints (recto); Study of Arm (verso), 1560/80

Bartolomeo Ramenghi, the elder

A work made of color woodblock print; chuban.

Act Eight: Bridal Journey from the play Chushingura (Treasury of Loyal Retainers), c. 1779/80

Katsukawa Shunsho

A work made of collage of cut-and-pasted various commercially printed papers, graphite on tan wove papers, and watercolor on off-white wove paper, selectively varnished and found paper items, and on off-white paperboard with graphite and pen and brush and black ink.

Untitled (Collage with Photos, Ticket Stubs, and Hotel Bill), 1970/80

Saul Steinberg

Compass, sundial, and perpetual calendar inside of a square thin ivory box decorated with leaf etched motives.

Portable Diptych with Compass, Sundial, and Perpetual Calendar, 1660/80

Charles Bloud

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of gelatin silver print.

Untitled [from Circulation, October 12 #80], 1971, printed 2017

Takuma Nakahira

A work made of stoneware.

Jug, 1850–80

John Bell

A work made of tin-glazed earthenware.

Fecundity Platter, 1675–80

A work made of color woodblock print; chuban.

Act Six: Yoichibei's House from the play Chushingura (Treasury of Loyal Retainers), c. 1779/80

Katsukawa Shunsho

A work made of watercolor and gouache with scraping, over graphite, on cream wove paper, laid down on board.

Scene at Lutworth, 1870/80

Joseph Mallord William Turner

A work made of oil on panel.

The Fairies, 1870–80

Adolphe Joseph Thomas Monticelli

A work made of pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper.

The Bark, 1771/80

Pierre Ozanne

A work made of pewter with copper.

Flagon, 1765–80

William Will

A work made of stoneware (jasperware).

Plaque with Bacchus, Fauns, and Silenus, 1769/80

Wedgwood Manufactory

Hammering Man at 2,683,117

Hammering Man at 2,683,117, 1977/80

Jonathan Borofsky

A work made of etching, drypoint and roulette with foul biting in warm black, with selective wiping of plate tone, on cream laid paper.

The Doorway, 1879/80

James McNeill Whistler

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