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A work made of silver, gilt bronze, lapis lazuli.

Crucifixion of Saint Peter, c.1770–80

C. Luigi Valadier

A work made of two types of charcoal with stumping, scraping, erasing and burnishing, on ivory wove paper (discolored to cream).

Le Nebuleuse, 1875/80

Odilon Redon

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of color soft ground etching from four copper plates, sugar lift, and aquatint, on off-white wove paper.

Spoon Pier, 1975

Claes Oldenburg

A work made of engraving in black on ivory laid paper.

The Flagellation of Christ, with the Pavement, 1475/80

School of Andrea Mantegna

A work made of cotton, satin weave; screenprinted.

Music (Furnishing Fabric), 1945/49

Susan Williams-Ellis

A work made of albumen print (carte-de-visite).

Portrait of Brahms, 1862/80

Johann Reiner

A work made of etching and drypoint in brown on cream laid paper.

Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set"), 1879–80

James McNeill Whistler

A work made of mahogany, white pine, american sweetgum, and upholstery.

Pair of Side Chairs, 1760–80

Artist unknown

A work made of color collagraph on ivory wove paper.

Texture Imprint (Pierced), plate 80 from 101 Prints, 1967

Norman Roland Eppink

A work made of stoneware (jasperware).

Teapot, 1775/80

Wedgwood Manufactory

A work made of etching on cream laid paper.

Voltaire Arriving in Hell Riding Jean-Jacques Rousseau, c. 1778-80

Unknown artist

Coin: 80 L. Carlo Felice

Coin: 80 L. Carlo Felice, 1827

Italian

Black and brown painting of man in suit composed of fractured geometric shapes

Sample (Up 80 X #2), 1945/49

Robert D. Sailors

A work made of gelatin silver prints (triptych).

Untitled Triptych 80/134/82, 1987

Carl Chiarenza

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

'Crazy Quilt', 1875/80

A work made of etching with foul biting in black ink on ivory laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of silver.

Tetradrachm (Coin) Depicting the Goddess Tyche, 80-79 BCE

Ancient Greek

A work made of lithograph and etching on white wove paper.

Untitled, 1978–80

Steven Beyer

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