Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper.

Virgin and Child Seated on Clouds, n.d.

Parmigianino

A work.

HB -27-80. #9, 1980

Harry Bowers

A work made of engraving in black on ivory laid paper.

The Flagellation of Christ, with the Pavement, 1475/80

School of Andrea Mantegna

A work made of albumen print (carte-de-visite).

Portrait of Brahms, 1862/80

Johann Reiner

A work made of etching and drypoint in brown on cream laid paper.

Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set"), 1879–80

James McNeill Whistler

A work made of mahogany, white pine, american sweetgum, and upholstery.

Pair of Side Chairs, 1760–80

Artist unknown

A work made of halftone relief print.

Duane Michals, No. 80 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of stoneware (jasperware).

Teapot, 1775/80

Wedgwood Manufactory

A work made of cotton, satin weave; screenprinted.

Music (Furnishing Fabric), 1945/49

Susan Williams-Ellis

A work made of etching on cream laid paper.

Voltaire Arriving in Hell Riding Jean-Jacques Rousseau, c. 1778-80

Unknown artist

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

Bedcover (Crazy Quilt), 1875/80

A work made of etching with foul biting in black ink on ivory laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of silver.

Tetradrachm (Coin) Depicting the Goddess Tyche, 80-79 BCE

Ancient Greek

A work made of color collagraph on ivory wove paper.

Texture Imprint (Pierced), plate 80 from 101 Prints, 1967

Norman Roland Eppink

A work made of lithograph and etching on white wove paper.

Untitled, 1978–80

Steven Beyer

A work made of glass.

Paperweight, 1970/80

A work made of engraving in black on buff laid paper.

Faith, plate 40 from Genii and Virtues, 1470/80

Master of the S-Series Tarocchi

A work made of gelatin silver print.

Hancock County Court House, Sparta, GA, 1969/80

Jim Dow

<<<17181920 >>>