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A work made of wood engraving on chine paper.

The Sisters, from Old English Masters, 1900, printed 1902

Timothy Cole

A work made of albumen print, pl. 58 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Pontoon Boat, Brandy Station, Virginia, February 1864

Timothy O'Sullivan

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

Black Cañon, Colorado River, looking below from Big Horn Camp, 1871

Timothy O'Sullivan

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

Black Cañon, Colorado River, looking below near Camp 7. Explorations in Nevada and Arizona, Expedition of 1871. Lieut. Geo. M. Wheeler, Com'd'g., 1871

Timothy O'Sullivan

A work made of albumen print, stereo.

Pah-ge, a Ute Squaw, of the Kah-poh-teh band, Northern New Mexico, No. 39 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Apache Indians, as they appear ready for the war-path, No. 33 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of stoneware (jasperware).

Teapot, 1775/80

Wedgwood Manufactory

A work made of etching on cream laid paper.

Voltaire Arriving in Hell Riding Jean-Jacques Rousseau, c. 1778-80

Unknown artist

A work made of cotton, satin weave; screenprinted.

Music (Furnishing Fabric), 1945/49

Susan Williams-Ellis

A work made of color collagraph on ivory wove paper.

Texture Imprint (Pierced), plate 80 from 101 Prints, 1967

Norman Roland Eppink

A work made of color soft ground etching from four copper plates, sugar lift, and aquatint, on off-white wove paper.

Spoon Pier, 1975

Claes Oldenburg

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

Bedcover (Crazy Quilt), 1875/80

Black and brown painting of man in suit composed of fractured geometric shapes

Sample (Up 80 X #2), 1945/49

Robert D. Sailors

A work made of gelatin silver prints (triptych).

Untitled Triptych 80/134/82, 1987

Carl Chiarenza

A work made of etching with foul biting in black ink on ivory laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of silver.

Tetradrachm (Coin) Depicting the Goddess Tyche, 80-79 BCE

Ancient Greek

A work made of lithograph and etching on white wove paper.

Untitled, 1978–80

Steven Beyer

A work made of glass.

Paperweight, 1970/80

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