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A work made of graphite heightened with watercolor and touches of white gouache on gray wove paper.

Shepherdess, 1810/20

Richard Westall

A work made of walnut, steel, silver, and baleen.

Percussion Fowling Piece, 1810/20

Berthon-Perrin

A work made of etching on paper.

The Bathers, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of ink on linen.

Tree Study Number Eight: Eucalyptus Tree, 1919/20

Marion Mahony Griffin

A work made of albumen print.

Untitled, Street Corner (60 Rue Beaubourg), 1910/20

Jean-Eugène-Auguste Atget

A work made of graphite on linen.

860–880 North Lake Shore Drive, First and Mezzanine Floor Elevations, 1/20/1950

Ludwig Mies van der Rohe

A work made of bone, staghorn, limewood, birchbark, rawhide, leather, and iron.

Saddle, 1400-20

A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of woodcut on paper.

Saint Francis Heals the Grievous Wounds of One John at Lerida, plate two from Woodcuts from Books of the XVI Century, 1512, assembled into portfolio 1937

Hieronymus Höltzel

A work made of iron, wood, and paint.

Lance for Joust or Quintain Course, 1710-20

A work made of wool, cotton, rayon, and acetate, broken twill weave.

Sample (Up 20 B #7), Late 1940s

Robert D. Sailors

Mountain and River Landscape

Mountain and River Landscape, n.d.

Follower of Francis Nicholson

View near Carnarvon

View near Carnarvon, n.d.

Style of Francis Nicholson

Brittania

Brittania, n.d.

Style of Francis Cotes

A work made of etching on paper.

Returning from the Hunt, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of cotton, plain weave; engraved roller printed.

Le Kakatoes (The Cockatoo) (Furnishing Fabric), c. 1815/20

Favre-Petitpierre et Cie.

A work made of watercolor, with pen and ink, on paper.

Sunflowers, August 20, 1895

Georges Lemmen

A work made of gelatin silver print, no. 20 from the portfolio "bayard: xxv calotypes, 1842-1850" (1965).

Enseigne d'un Marchand de Chevaux, 1842/50, printed 1965

Hippolyte Bayard

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