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A work made of line block taken from a drawing on ivory wove paper.

No. 202: C'est lourd une plume, 1919

Jean Louis Forain

A work made of stencil.

Like Rats from a Sinking Ship, December 20, 1944

Petr A. Sarkisian

A work made of watercolor with pen and brown ink on cream wove paper, laid down on ivory wove paper.

All Soul's College from the Radcliffe Library, 1810/20

Augustus Charles Pugin

A work made of engraving on cream laid paper.

Restoration of the Aqueduct of Pisa, from The Life of Ferdinand de' Medici, 1616/20

Jacques Callot

A work made of engraved glass, silver finial.

Covered Goblet (Pokal), 1710/20

A work made of favrile glass.

Tyg, 1900–20

Tiffany Glass and Decorating Company (Firm)

A work made of engraving on cream laid paper.

Triton Ridden by a Child, plate one of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

Saint Francis of Assisi Receiving the Stigmata

Saint Francis of Assisi Receiving the Stigmata, c. 1514

Lucas van Leyden

A work made of engraving on ivory laid paper.

Rocky Landscape with The Stigmatization of St. Francis, c. 1590-1620

Aegidius Sadeler, II

A work made of etching on ivory wove paper with gilt edges.

The Consequences, plate 72 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph in black on white wove paper.

A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of etching and engraving in brown ink on buff wove paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on tan laid paper.

Horsemen on the Shore, 1615/20

Bernardo Castello

A work made of albumen print, pl. 20 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Burnside Bridge, Across Antietam Creek, Maryland, September 1862

Alexander Gardner

A work made of etching, burnished aquatint, lavis, drypoint, and burin on ivory wove paper with gilt edges.

Nothing. The Event Will Tell, plate 69 from The Disasters of War, 1812/20, published 1863

Francisco José de Goya y Lucientes

A work made of color lithograph on cream wove paper.

The Liberation Loan, 1918–20

Abel Faivre

A work made of stencil.

Under the Sultry Sky of Argentina, January 20, 1945

Pavel P. Sokolov-Skalia

A work made of lithograph (pen and ink style and crayon style) in black on cream wove paper.

Love Tormented by Considerations Great and Small, 1817–20

Dominique-Vivant Denon

A work made of etching on paper.

The Small Port, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of etching and burnishing on ivory wove paper with gilt edges.

That is the worst of it!, plate 74 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

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