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A work made of gelatin silver print.

Funeral of 20 Teenage Partisans of the Liceo Sannazaro, in the Vomero District. Led by one of Their Teachers, the Boys had Fought Against the German for 4 days before the Arrival of the Allies. Naples., 1943

Robert Capa

A work made of color woodcut on paper.

Plate 20, from Song of Songs, 1969

Hedi Bak

A work made of gelatin silver print.

Untitled [from Circulation, October 13 #20], 1971, printed 2017

Takuma Nakahira

A work made of gelatin silver print.

Untitled [from Circulation, October 14, #20], 1971, printed 2017

Takuma Nakahira

A work made of gelatin silver print.

Untitled [from Circulation, October 15, #20], 1971, printed 2017

A work made of gelatin silver print.

Untitled [from Circulation, October 16, #20], 1971, printed 2017

A work made of etching on ivory laid paper.

Plate 20, from Landscapes with Farmhouses, 1614

Boetius Adams Bolswert

A work made of engraving on ivory laid paper.

Rocky Landscape with The Stigmatization of St. Francis, c. 1590-1620

Aegidius Sadeler, II

A work made of stencil.

Like Rats from a Sinking Ship, December 20, 1944

Petr A. Sarkisian

A work made of engraved glass, silver finial.

Covered Goblet (Pokal), 1710/20

A work made of engraving on cream laid paper.

Restoration of the Aqueduct of Pisa, from The Life of Ferdinand de' Medici, 1616/20

Jacques Callot

A work made of watercolor with pen and brown ink on cream wove paper, laid down on ivory wove paper.

All Soul's College from the Radcliffe Library, 1810/20

Augustus Charles Pugin

A work made of favrile glass.

Tyg, 1900–20

Tiffany Glass and Decorating Company (Firm)

A work made of engraving on cream laid paper.

Triton Ridden by a Child, plate one of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of albumen print, pl. 20 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Burnside Bridge, Across Antietam Creek, Maryland, September 1862

Alexander Gardner

A work made of etching on ivory wove paper with gilt edges.

The Consequences, plate 72 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching and engraving in brown ink on buff wove paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of lithograph in black on white wove paper.

A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on tan laid paper.

Horsemen on the Shore, 1615/20

Bernardo Castello

A work made of etching, burnished aquatint, lavis, drypoint, and burin on ivory wove paper with gilt edges.

Nothing. The Event Will Tell, plate 69 from The Disasters of War, 1812/20, published 1863

Francisco José de Goya y Lucientes

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