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A work made of color woodblock print; edition 5/20.

Composition, 1957

Sato Hiromu

A work made of stencil.

Under the Sultry Sky of Argentina, January 20, 1945

Pavel P. Sokolov-Skalia

A work made of etching and burnishing on ivory wove paper with gilt edges.

That is the worst of it!, plate 74 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph (pen and ink style and crayon style) in black on cream wove paper.

Love Tormented by Considerations Great and Small, 1817–20

Dominique-Vivant Denon

A work made of etching on paper.

The Small Port, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of engraving in black on ivory laid paper.

Two Children Wearing Helmets, plate three of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of iron, steel, copper, and wood.

Rapier, 1610-20

A work made of stencil.

Krylov's Monkey about Goebbels, November 20, 1944

Kukryniksy

A work made of hard-paste porcelain, black enamel (schwarzlot), gilding.

Vase and Cover (one of a pair), 1715/20

Meissen Porcelain Manufactory

A work made of lithograph in dark gray and gray on white wove paper.

Page 20 from Traces suspectes en surface, 1972–78

Robert Rauschenberg

A work made of color lithograph from 5 plates on paper.

Plate 20 from The Donkey and The Darling, 1967–77

Larry Rivers

A work made of color screenprint on off-white wove paper.

Hugo Margenat, 20 Aniversario de su muerte, 1977

Luis Alonso

King Farouk's Wedding, Cairo, January 20, 1938

King Farouk's Wedding, Cairo, January 20, 1938, 1938

Pierre Boucher

A work made of stipple engraving on ivory wove paper.

Lady Mary, June 20, 1796

Francesco Bartolozzi

A work made of tin-glazed earthenware (delftware).

Plate, c. 1710-20

Grieksche A Factory

A work made of steel and leather.

Pair of Mitten Gauntlets, c. 1500/20

A work made of color woodblock print; edition 3/20.

Floating Shadow (Hyoei) Yellow, 1964

Tajima Hiroyuki

A work made of etching and aquatint in brown on ivory paper.

Mount Saint Gothard, plate 9 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of engraving on ivory laid paper.

The Restoration of the Dome of Florence, from The Life of Ferdinand de' Medici, 1614/20

Jacques Callot

A work made of etching, aquatint or lavis, burin and burnishing on ivory wove paper with gilt edges.

Charlatan's show, plate 75 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

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