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A work made of printed book.

Kaiser Aluminum Dome: Up in 20 Hours Flip Book, 1957

Mary Jo Slick

A work made of earthenware and glaze.

Vase, 1910–20

Newcomb College Pottery

A work made of iron.

Curb Bit, 1510/20

A work made of contains 15 invitations/images, 20 articles, 1 letter.

Portfolio #2

Pascal Kern

A work made of wood engraving on paper.

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, published February 20, 1869

Winslow Homer

A work made of silk 50%, mohair 20%, dacron 20%, wool 10%, machine-made lace.

Edelweiss (Furnishing Fabric), 1960/74

Larsen Design Studio

A work made of oil on canvas.

The Christ Child and Saint John the Baptist with Saint Francis, Date unknown

Follower of Peter Paul Rubens

A work made of color woodblock print; edition 6/20.

Towers of Cologne (Kerun no to), 1962

Ono Tadashige

A work made of etching, drypoint and burin on ivory wove paper with gilt edges.

He gets something out of it, plate 40 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

Five Presents (Cinq Sapates)

Five Presents (Cinq Sapates), 1950

Georges Braque

A work made of color woodblock print with metallic pigments; surimono shikishiban.

New Year’s Sake, c. 1810/20 (Meiji Facsimilie)

Yashima Gakutei

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Minyas' Daughters Refuse to Recognize the God Bacchus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of pen and brown and black ink, with brush and brown wash and touches of black chalk, heightened with lead white gouache, on cream laid paper, squared for transfer in black chalk, laid down on white japanese paper.

The Virgin and Child with Saint Clare and Saint Francis, 1580/90

School of the Carracci Family

A work made of steel.

Shaffron, c. 1510/20

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of etching, lavis and burin on ivory wove paper with gilt edges.

What madness!, plate 68 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching and burnishing on ivory wove paper with gilt edges.

Will She Rise Again?, plate 80 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

Port of Entry

Port of Entry, 2000-02

Jo Ractliffe

A work made of etching and engraving in brown on ivory laid paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

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