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A work made of offset lithograph in black (recto); offset lithograph in black, with red and black ink stamps, typeset label in purple, and postage stamp (verso) on cream wove paper.

Art & Project, Bulletin 20, Jan. 1970

Gilbert & George

A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver print.

Untitled (Distortion #98), 1932/33

André Kertész

A work made of etching on paper.

The Captain or The Lover, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of charcoal and white chalk, with gray pastel and stumping, heightened with traces of white gouache, on light gray paper with blue fibers, laid down on wood pulp board.

Washhouse Court — Grey Friars, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of drypoint on cream laid paper.

Windmill Hill, No. I, 1877

Francis Seymour Haden

A work made of hard-paste porcelain, black enamel (schwarzlot), and gilding.

Vase and Cover (one of a pair), 1715/20

Meissen Porcelain Manufactory

A work made of engraving in black on ivory laid paper.

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici, 1616/20

Jacques Callot

A work made of etching on paper.

The Naval Battle, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of steel, leather, and iron.

Roundel Dagger and Scabbard, 1500/20

A work made of etching on paper.

Zanni, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of wool, single interlocking tapestry weave; twined selvages and headings.

Blanket or Rug, 1910/20

Diné (Navajo)

A work made of ink on linen.

Tree Study Number Six: Palm Tree with Fruit, 1919/20

Marion Mahony Griffin

A work made of charcoal and white chalk, with gray pastel and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Smithfield Market, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, touches of gray and black pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

St. George's Church, Hanover Square, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with touches of gray pastel and stumping, highlighted with touches of white chalk, on light gray laid paper with blue fibers, laid down on wood pulp board.

The Cock Tavern, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of steel, brass, and leather.

Fingered Gauntlet for the Right Hand, c. 1600/20

A work made of color woodblock print; edition 20/50.

Face (Child) [Kao (Kodomo)], 1962

Kinoshita Tomio

A work made of manuscript cutting in tempera and gold leaf, with incising, on vellum, with inscriptions in black or brown-black ink, verso.

Saint Francis in a Historiated Initial "P", 1375/99

A work made of graphite heightened with watercolor and touches of white gouache on gray wove paper.

Shepherdess, 1810/20

Richard Westall

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