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A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of graphite drawings, ink drawings, typescript papers and black and white photographic prints..

Thomas F. Googerty Collection, c.1902-c.1909

Thomas Francis Googerty

A work made of lithograph in black on ivory wove paper.

Prancing Horse, after 1823

Louis-Pierre-Marie Courtin

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of color woodblock print; edition 1/20.

Soil (Woodblock) [Jo (Mokuhan)], 1959

Sato Hiromu

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

A work made of red chalk on ivory laid paper, laid down on card.

Female Caryatid, 1700/20

Perino del Vaga

A work made of gelatin silver print, no. 20 from the portfolio "danny lyon" (1979).

Llanito, New Mexico, 1970

Danny Lyon

A work made of color woodblock print; edition 1/20.

The Artist's Son, 1952

Sekino Jun’ichirō

A work made of etching on paper.

Hunting Birds, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of etching on paper.

The Watermill, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of gelatin silver print.

Untitled (Distortion #109), 1932/33

André Kertész

A work made of stipple and line etching.

Francis Marquis of Hastings, Date unknown

Unknown artist

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