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A work made of relief print on paper.

El cancionero popular, num. 20 (The Popular Songbook, no. 20), n.d.

Unknown artist

A work made of steel and silver.

Rapier, 1610-20

A work made of gelatin silver print, no. 20, from the portfolio "arthur rothstein" (1981).

Boy with Chicken, Hungjao, China, 1945

Arthur Rothstein

A work made of gelatin silver print.

Untitled (Distortion #109), 1932/33

André Kertész

A work made of gelatin silver print.

Max Ernst & Dorothea Tanning, New York, March 20, 1947, printed 1983

Irving Penn

A work made of steel and textile.

Mitten Gauntlet for the Left Hand, c. 1510/20

A work made of steel.

Combination Primer-Spanner-Ramrod, 1600/20

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of albumen print.

Untitled, 1860/94

Francis Bedford

A work made of albumen print.

Untitled, 1860/94

Francis Bedford

A work made of albumen print.

Llandudno-The Parade from above the Baths, 1860/94

Francis Bedford

A work made of albumen print.

Barmouth, from above Bellevue, 1860/94

Francis Bedford

A work made of lithograph on white wove paper.

Head of a Young Girl, n.d.

Francis Chapin

A work made of lithograph on paper.

Saturday Night, n.d.

Francis Chapin

A work made of copper on plaster.

Richard Morris Hunt, c. 1891

Karl Theodore Francis Bitter

A work made of albumen print, stereo.

War Chief of the Zuni Indians, No. 20 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

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