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A work made of pen and black ink, over graphite, on ivory board.

Horseman and Horsewoman in Park, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, corrected with touches of white gouache, over traces of graphite, on cream board.

Riders and Dogs at Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory board.

Three Riders at a Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory card.

Man and Woman Riding Horses at Hunt, n.d.

Francis Arthur Fraser

A work made of pen and black ink, corerected with white gouache, over graphite, on off-white bristol board.

Hunting Scene: Horse and Thrown Rider, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over traces of graphite, on ivory board.

The Barrier is Closed, 1867/83

Francis Arthur Fraser

A work made of pen and black ink on off-white board.

Balky Horse, n.d.

Francis Arthur Fraser

Head of Peasant with Hat

Head of Peasant with Hat, n.d.

Francis William Topham

Farm House with Chickens

Farm House with Chickens, n.d.

Thomas Francis Wainewight

Bridge at Beddegelert

Bridge at Beddegelert, 1840

Francis William Topham

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper.

Sir William Portsman, n.d.

John Francis Rigaud

A work made of pen and black ink, over traces of graphite, on off-white card.

J. Chamberlain and Balfour, n.d.

Francis Carruthers Gould

A work made of etching with drypoint on cream wove paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of drypoint on ivory japanese paper mounted on board.

Mytton Hall, 1859

Francis Seymour Haden

A work made of charcoal and white chalk, with gray pastel and stumping, on gray laid paper with blue fibers, laid down on wood pulp board.

St. Bartholomew's the Great, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal and white chalk, with touches of gray pastel and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board.

Jermyn Street, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, gray pastel, touches of graphite, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Fleet Street and St. Paul's, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, and gray and white pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Lamb Court, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, touches of gray and white pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Hare Court, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

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