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A work made of pen and ink on paper.

Ariel, n.d.

John Francis Renault

A work made of pen and black ink, over graphite, on ivory board.

Horseman and Horsewoman in Park, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, corrected with touches of white gouache, over traces of graphite, on cream board.

Riders and Dogs at Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory board.

Three Riders at a Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory card.

Man and Woman Riding Horses at Hunt, n.d.

Francis Arthur Fraser

Farm House with Chickens

Farm House with Chickens, n.d.

Thomas Francis Wainewight

Head of Peasant with Hat

Head of Peasant with Hat, n.d.

Francis William Topham

Bridge at Beddegelert

Bridge at Beddegelert, 1840

Francis William Topham

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

Mouth of a Brook, No. II, c. 1859

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

On the Test, c. 1859

Francis Seymour Haden

A work made of etching on copper printed on cream wove paper.

A Water Meadow, 1859

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

Shere Mill Pond, No. 2, 1860

Francis Seymour Haden

A work made of pen and black ink, over traces of graphite, on off-white card.

J. Chamberlain and Balfour, n.d.

Francis Carruthers Gould

A work made of brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper.

Sir William Portsman, n.d.

John Francis Rigaud

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of drypoint on ivory japanese paper mounted on board.

Mytton Hall, 1859

Francis Seymour Haden

A work made of charcoal and white chalk, with gray pastel and stumping, on gray laid paper with blue fibers, laid down on wood pulp board.

St. Bartholomew's the Great, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

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