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A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

Mouth of a Brook, No. II, c. 1859

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

On the Test, c. 1859

Francis Seymour Haden

A work made of charcoal and white chalk, with gray pastel and stumping, on gray laid paper with blue fibers, laid down on wood pulp board.

St. Bartholomew's the Great, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal and white chalk, with touches of gray pastel and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board.

Jermyn Street, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, gray pastel, touches of graphite, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Fleet Street and St. Paul's, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, and gray and white pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Lamb Court, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, touches of gray and white pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Hare Court, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of etching and drypoint on ivory laid paper.

Early Morning, Richmond Park, 1859

Francis Seymour Haden

A work made of brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper.

Sir William Portsman, n.d.

John Francis Rigaud

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of gelatin silver print.

Homage to Sandia, from the series "Pink Stuff", 1974

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

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