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A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

In The Garden, from the portfolio "The Automobile," Institute of Design, 1966, 1966

Thomas Francis Barrow

A work made of gelatin silver print.

Homage to Sandia, from the series "Pink Stuff", 1974

Thomas Francis Barrow

A work made of drypoint on ivory japanese paper mounted on board.

Mytton Hall, 1859

Francis Seymour Haden

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

Mouth of a Brook, No. II, c. 1859

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

On the Test, c. 1859

Francis Seymour Haden

A work made of pen and black ink, over traces of graphite, on off-white card.

J. Chamberlain and Balfour, n.d.

Francis Carruthers Gould

A work made of etching with drypoint on cream wove paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper.

Sir William Portsman, n.d.

John Francis Rigaud

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of etching with drypoint on cream japanese paper.

Battersea Reach, 1863

Francis Seymour Haden

A work made of graphite drawings, ink drawings, typescript papers and black and white photographic prints..

Thomas F. Googerty Collection, c.1902-c.1909

Thomas Francis Googerty

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