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A work made of pen and black ink, heightened with touches of white gouache, over traces of graphite, on ivory board.

The Barrier is Closed, 1867/83

Francis Arthur Fraser

A work made of pen and black ink on off-white board.

Balky Horse, n.d.

Francis Arthur Fraser

A work made of pen and ink on paper.

Ariel, n.d.

John Francis Renault

A work made of pen and black ink, over graphite, on ivory board.

Horseman and Horsewoman in Park, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, corrected with touches of white gouache, over traces of graphite, on cream board.

Riders and Dogs at Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory board.

Three Riders at a Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory card.

Man and Woman Riding Horses at Hunt, n.d.

Francis Arthur Fraser

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of etching and mezzotint on ivory wove paper.

Winchelsea Canal, c. 1877

Francis Seymour Haden

A work made of gelatin silver print.

Untitled, 1931

Francis Joseph Bruguière

A work made of gelatin silver print.

Untitled, 1929

Francis Joseph Bruguière

A work made of drypoint on ivory laid paper.

The Willows, c. 1877

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

Shere Mill Pond, No. 2, 1860

Francis Seymour Haden

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

Mouth of a Brook, No. II, c. 1859

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

On the Test, c. 1859

Francis Seymour Haden

A work made of etching on copper printed on cream wove paper.

A Water Meadow, 1859

Francis Seymour Haden

A work made of charcoal and white chalk, with gray pastel and stumping, on gray laid paper with blue fibers, laid down on wood pulp board.

St. Bartholomew's the Great, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

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