Curator

  • Art Institute Chicago
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A work made of steel.

Reinforcing Breastplate, 1610-20

A work made of watercolor, graphite, and red conté crayon, over watercolor transfer, on cream wove paper.

Sketch for John the Baptist, 1917/20

George William Eggers

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

31/201 Battalion Commemoration Service, Platfontein from the series The Borderlands

31/201 Battalion Commemoration Service, Platfontein from the series The Borderlands, 2012

Jo Ractliffe

A work made of lithograph in black on ivory wove paper.

Prancing Horse, after 1823

Louis-Pierre-Marie Courtin

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of bound volume of albumen prints (20).

Photographic Sketch Book of the Civil War, Volume I, 1861/65

Alexander Gardner

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of etching and mezzotint on ivory wove paper.

Winchelsea Canal, c. 1877

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

The Willows, c. 1877

Francis Seymour Haden

A work made of etching and drypoint on ivory laid paper.

Early Morning, Richmond Park, 1859

Francis Seymour Haden

A work made of drypoint on cream wove paper.

Mytton Hall, 1859

Francis Seymour Haden

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

Mouth of a Brook, No. II, c. 1859

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

On the Test, c. 1859

Francis Seymour Haden

A work made of brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper.

Sir William Portsman, n.d.

John Francis Rigaud

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