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A work made of pen and black ink, corrected with touches of white gouache, over traces of graphite, on cream board.

Riders and Dogs at Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory board.

Three Riders at a Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory card.

Man and Woman Riding Horses at Hunt, n.d.

Francis Arthur Fraser

A work made of pen and black ink, corerected with white gouache, over graphite, on off-white bristol board.

Hunting Scene: Horse and Thrown Rider, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over traces of graphite, on ivory board.

The Barrier is Closed, 1867/83

Francis Arthur Fraser

A work made of pen and black ink on off-white board.

Balky Horse, n.d.

Francis Arthur Fraser

A work made of etching and drypoint on ivory laid paper.

Early Morning, Richmond Park, 1859

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

The Willows, c. 1877

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

Shere Mill Pond, No. II (large plate), 1860

Francis Seymour Haden

A work made of gelatin silver print.

Untitled, 1931

Francis Joseph Bruguière

A work made of gelatin silver print.

Untitled, 1929

Francis Joseph Bruguière

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of etching and mezzotint on ivory wove paper.

Winchelsea Canal, c. 1877

Francis Seymour Haden

A work made of drypoint on cream wove paper.

Mytton Hall, 1859

Francis Seymour Haden

Bridge at Beddegelert

Bridge at Beddegelert, 1840

Francis William Topham

Head of Peasant with Hat

Head of Peasant with Hat, n.d.

Francis William Topham

Farm House with Chickens

Farm House with Chickens, n.d.

Thomas Francis Wainewight

A work made of etching with drypoint on cream wove paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

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