Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of lithograph in black on ivory wove paper.

Prancing Horse, after 1823

Louis-Pierre-Marie Courtin

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

A work made of pen and black ink, corerected with white gouache, over graphite, on off-white bristol board.

Hunting Scene: Horse and Thrown Rider, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over traces of graphite, on ivory board.

The Barrier is Closed, 1867/83

Francis Arthur Fraser

A work made of pen and black ink on off-white board.

Balky Horse, n.d.

Francis Arthur Fraser

A work made of drypoint on cream wove paper.

Mytton Hall, 1859

Francis Seymour Haden

A work made of pen and ink on paper.

Ariel, n.d.

John Francis Renault

A work made of pen and black ink, over graphite, on ivory board.

Horseman and Horsewoman in Park, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, corrected with touches of white gouache, over traces of graphite, on cream board.

Riders and Dogs at Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory board.

Three Riders at a Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory card.

Man and Woman Riding Horses at Hunt, n.d.

Francis Arthur Fraser

A work made of charcoal and white chalk, with gray pastel and stumping, on gray laid paper with blue fibers, laid down on wood pulp board.

St. Bartholomew's the Great, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal and white chalk, with touches of gray pastel and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board.

Jermyn Street, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, gray pastel, touches of graphite, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Fleet Street and St. Paul's, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, and gray and white pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Lamb Court, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of charcoal, with white chalk, touches of gray and white pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Hare Court, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

<<<37383940 >>>