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A work made of lithograph in black on ivory wove paper.

Prancing Horse, after 1823

Louis-Pierre-Marie Courtin

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of etching and mezzotint on ivory wove paper.

Winchelsea Canal, c. 1877

Francis Seymour Haden

A work made of drypoint on cream wove paper.

Mytton Hall, 1859

Francis Seymour Haden

A work made of pen and black ink, corerected with white gouache, over graphite, on off-white bristol board.

Hunting Scene: Horse and Thrown Rider, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over traces of graphite, on ivory board.

The Barrier is Closed, 1867/83

Francis Arthur Fraser

A work made of pen and black ink on off-white board.

Balky Horse, n.d.

Francis Arthur Fraser

A work made of pen and ink on paper.

Ariel, n.d.

John Francis Renault

A work made of pen and black ink, over graphite, on ivory board.

Horseman and Horsewoman in Park, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, corrected with touches of white gouache, over traces of graphite, on cream board.

Riders and Dogs at Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory board.

Three Riders at a Hunt, 1867/83

Francis Arthur Fraser

A work made of pen and black ink, heightened with touches of white gouache, over graphite, on ivory card.

Man and Woman Riding Horses at Hunt, n.d.

Francis Arthur Fraser

A work made of pen and black ink, over traces of graphite, on off-white card.

J. Chamberlain and Balfour, n.d.

Francis Carruthers Gould

A work made of etching with drypoint on cream laid paper.

Kensington Gardens, No. II (large plate), 1860

Francis Seymour Haden

A work made of brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper.

Sir William Portsman, n.d.

John Francis Rigaud

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of mezzotint with etching on ivory laid paper.

An Early Riser, 1897

Francis Seymour Haden

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of drypoint on ivory laid paper.

Mouth of a Brook, No. II, c. 1859

Francis Seymour Haden

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