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A work made of color woodblock print; oban.

Miyato of the Kadotamaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1777

Isoda Koryusai

A work made of lithograph in black on white wove paper.

The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités, 1856

Honoré-Victorin Daumier

A work made of color woodblock print; chuban.

The Evening Bell of the Nun (Bikuni no bansho), from the series "Eight Views of Fashionable Human Relations (Furyu jinrin mitate hakkei)", c. 1770/72

Isoda Koryusai

A work made of color woodblock print; chuban.

Young Woman in the Glow of Sunset (Musume no sekisho), from the series "Eight Views of Fashionable Human Relations (Furyu jinrin mitate hakkei)", c. 1770/72

Isoda Koryusai

A work made of color woodblock print; oban.

Chozan of the Chojiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

Pretty Pretty 9

Pretty Pretty 9, 2021

Gio Swaby

Scarf

Scarf, c. 1800/20

A work made of silk, cut, uncut, voided velvet against satin weave foundation.

Fragment, 18th century

A work made of wax.

Lady Erskine, 1780/85

Samuel Percy

A work made of color woodblock print; half hosoban (right side).

Evening Snow at Kinryuzan Temple (Kinryuzan no bosetsu), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1778

Torii Kiyonaga

A work made of silk, warp-float faced satin weave with supplementary binding wefts and supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, c. 1600

A work made of polyester made from recycled pet bottles.

Fashion from the 132 5. Collection, 2013

Issey Miyake

A work made of cotton, plain weave; printed.

Kanga, 2008

A work made of cotton, plain weave; painted and resist-dyed; lined with cotton or linen; metal rings attached to upper back of lining.

A Nayaka Nobleman with Courtiers and Courtesans, 1640-1650

A work made of color woodblock print; oban.

Takigawa and Katarai of the Ogiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of silk, warp-float faced 3:1 'z' twill weave with supplementary pile warps forming cut and uncut solid velvet.

Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories, Qing dynasty (1644–1911), about 1890

Manchu

A work made of color woodblock print; oban.

Ohan and Choemon, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of gelatin silver print.

Fashion photograph: Metallic Evening Clutch with Couple’s Reflection in Mirror, 1930s

Gordon Coster

A work made of color woodblock print; surimono.

Oteiroku, from the series "Fashionable Women as the One Hundred and Eight Heroes of the Water Margin (Fuzoku onna Suikoden, ippyakuhachinin no uchi)", c. 1828/30

Utagawa Kuniyoshi

A work made of tortoise shell.

Comb, c. 1880

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