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A work made of lithograph in black on white wove paper.

The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités, 1856

Honoré-Victorin Daumier

Pretty Pretty 9

Pretty Pretty 9, 2021

Gio Swaby

A work made of silk, cut, uncut, voided velvet against satin weave foundation.

Fragment, 18th century

Scarf

Scarf, c. 1800/20

A work made of color woodblock print; chuban.

The Evening Bell of the Nun (Bikuni no bansho), from the series "Eight Views of Fashionable Human Relations (Furyu jinrin mitate hakkei)", c. 1770/72

Isoda Koryusai

A work made of color woodblock print; chuban.

Young Woman in the Glow of Sunset (Musume no sekisho), from the series "Eight Views of Fashionable Human Relations (Furyu jinrin mitate hakkei)", c. 1770/72

Isoda Koryusai

A work made of color woodblock print; oban.

Chozan of the Chojiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of silk, warp-float faced satin weave with supplementary binding wefts and supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, c. 1600

A work made of polyester made from recycled pet bottles.

Fashion from the 132 5. Collection, 2013

Issey Miyake

A work made of cotton, plain weave; printed.

Kanga, 2008

A work made of silk, warp-float faced 3:1 'z' twill weave with supplementary pile warps forming cut and uncut solid velvet.

Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories, Qing dynasty (1644–1911), about 1890

Manchu

A work made of tortoise shell.

Comb, c. 1880

A work made of color woodblock print; half hosoban (right side).

Evening Snow at Kinryuzan Temple (Kinryuzan no bosetsu), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1778

Torii Kiyonaga

A work made of silver, gilding, steel, mother-of-pearl, wood, leather, and textile.

Court Sword and Scabbard, c. 1810

Martin-Guillaume Biennais

A work made of silk, warp-faced pattern woven to shape, on plain weave foundation.

Fragment of a Woman's Skirt Flounce, c. 1850

Fragment of a Woman's Skirt Flounce

Fragment of a Woman's Skirt Flounce, c. 1850

A work made of color woodblock print; oban.

Takigawa and Katarai of the Ogiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of linen, twill weave; embroidered with linen floss in satin and stem stitches; french knots; buttons covered with six-star lace fillings finished at edges with arrangement of overlapping stitches resembling continuous tailor's tacks; lined with linen, plain weave.

Waistcoat, 1775/1800

A work made of cotton, cut velvet weave with pressed design.

Purse, 19th century

A work made of silk, warp-faced plain weave, alternating with additional warp floats; embroidered in silk threads in satin stitch and french knots; paillettes.

Panel, 1775/1825

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