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A work made of silk, warp-float faced satin weave with supplementary binding wefts and supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, c. 1600

A work made of polyester made from recycled pet bottles.

Fashion from the 132 5. Collection, 2013

Issey Miyake

A work made of color woodblock print; half hosoban (right side).

Evening Snow at Kinryuzan Temple (Kinryuzan no bosetsu), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1778

Torii Kiyonaga

A work made of tortoise shell.

Comb, c. 1880

A work made of silk, warp-float faced 3:1 'z' twill weave with supplementary pile warps forming cut and uncut solid velvet.

Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories, Qing dynasty (1644–1911), about 1890

Manchu

A work made of color woodblock print; oban.

Takigawa and Katarai of the Ogiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of silver, gilding, steel, mother-of-pearl, wood, leather, and textile.

Court Sword and Scabbard, c. 1810

Martin-Guillaume Biennais

A work made of silk, warp-faced pattern woven to shape, on plain weave foundation.

Fragment of a Woman's Skirt Flounce, c. 1850

Fragment of a Woman's Skirt Flounce

Fragment of a Woman's Skirt Flounce, c. 1850

A work made of color woodblock print; oban.

Ohan and Choemon, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of gelatin silver print.

Fashion photograph: Metallic Evening Clutch with Couple’s Reflection in Mirror, 1930s

Gordon Coster

A work made of linen, twill weave; embroidered with linen floss in satin and stem stitches; french knots; buttons covered with six-star lace fillings finished at edges with arrangement of overlapping stitches resembling continuous tailor's tacks; lined with linen, plain weave.

Waistcoat, 1775/1800

A work made of cotton, cut velvet weave with pressed design.

Purse, 19th century

A work made of silk, warp-faced plain weave, alternating with additional warp floats; embroidered in silk threads in satin stitch and french knots; paillettes.

Panel, 1775/1825

A work made of color woodblock print; surimono.

Oteiroku, from the series "Fashionable Women as the One Hundred and Eight Heroes of the Water Margin (Fuzoku onna Suikoden, ippyakuhachinin no uchi)", c. 1828/30

Utagawa Kuniyoshi

A work made of color woodblock print; oban.

Shioginu of the Tsutaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1777/78

Isoda Koryusai

A work made of etching on ivory laid paper.

The Fire of Faction, 1762

Paul Sandby

A work made of silk, satin weave, over linen, plain weave; embroidered in silk floss, metal strips wrapped around a silk fiber core, with silk cords; in couching, line and padded satin stitches.

Cuff, c. 1700

A work made of color woodblock print; surimono.

Saishin, from the series "Fashionable Women as the One Hundred and Eight Heroes of the Water Margin (Fuzoku onna Suikoden, ippyakuhachinin no uchi)", c. 1828/30

Utagawa Kuniyoshi

A work made of color woodblock print; chuban.

The Sixth Month (Kazemachizuki), from the series "Fashionable Monthly Visits to Sacred Places in the Four Seasons (Furyu shiki no tsuki mode)", c. 1784

Torii Kiyonaga

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