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A work made of color woodblock print; oban.

Shioginu of the Tsutaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1777/78

Isoda Koryusai

A work made of silk, satin weave, over linen, plain weave; embroidered in silk floss, metal strips wrapped around a silk fiber core, with silk cords; in couching, line and padded satin stitches.

Cuff, c. 1700

A work made of etching on ivory laid paper.

The Fire of Faction, 1762

Paul Sandby

A work made of color woodblock print; surimono.

Saishin, from the series "Fashionable Women as the One Hundred and Eight Heroes of the Water Margin (Fuzoku onna Suikoden, ippyakuhachinin no uchi)", c. 1828/30

Utagawa Kuniyoshi

A work made of oil on canvas.

Untitled (Lady with a Parakeet), 1856

August (Ágost) Canzi

A work made of color woodblock print; chuban.

The Sixth Month (Kazemachizuki), from the series "Fashionable Monthly Visits to Sacred Places in the Four Seasons (Furyu shiki no tsuki mode)", c. 1784

Torii Kiyonaga

A work made of silk, satin weave; embroidered with silk threads, foremost in satin and stem stitches; lined and backed with linen, plain weave.

Waistcoat, 1775/1800

A work made of silk, satin weave; embroidered with silk floss in satin, long and short, stem, straight, star, outline and fishbone stitches; with slanting satin stitch on border; french knots.

Waistcoat, 1750/1800

A work made of paper.

Bless N°52 Present Perfect Continuous and N°53 Contenttenders/MANY OF THEM, Volume IV, 2015

BLESS eine GmbH

A work made of color woodblock print; oban.

Komurasaki and Gonpachi, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of tropical laurel (terminalia), stained red and black.

Woman Strolling, c. 1880

Paul Gauguin

A work made of color woodblock print; chuban.

The Fifth Month (Satsuki), from the series "Fashionable Twelve Seasons (Furyu juni kiko)", c. 1779

Torii Kiyonaga

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper and construction paper.

Fashion Designs, March 1934

A work made of linen, plain weave; screen printed.

Fission Chips (Drapery Fabric), c. 1957

Ruth Adler Schnee

A work made of color etching and aquatint on ivory wove paper.

For the Pleasures of Fashion (Summer Unit), 1967–70

Larry Rivers

A work made of linen, plain weave; embroidered with wool in florentine stitch; ribbon: silk, satin weave; edging: linen, plain weave; lining: linen, plain weave.

Purse, 17th century

M to M of M/M (Paris): Fashion, Music, Art, Graphics, and Visual Styling from the Groundbreaking Design Studio

M to M of M/M (Paris): Fashion, Music, Art, Graphics, and Visual Styling from the Groundbreaking Design Studio, 2013

Rizzoli International Publications

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