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A work made of silk plain weave with supplementary patterning and brocading wefts.

Fragment, 1750/75

A work made of hand-colored etching on ivory laid paper.

D_d Angelic pon honor-Fascinating Creature Monstrous Handsome!!, published August 9, 1817

George Cruikshank

A work made of silk, plain weave; painted.

Panel (Dress Fabric), 18th century, Qing dynasty (1644–1911)

A work made of color woodblock print; koban.

The Eighth Month (Sogetsu), from the series "Fashionable Twelve Months (Furyu juni tsuki)", c. 1770/72

Isoda Koryusai

A work made of silk warp and wool weft, compound weave; printed; knotted silk fringe.

Shawl, c. 1850

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of ink and gouache on tracing paper and construction paper.

Fashion Designs, March 1934

A work made of silk, double crochet stitch with metal beads and areas of openwork formed by double and treble crochet stitch combinations; ribbon drawstring: silk, plain weave; beaded loop fringe.

Bag, c. 1840

M to M of M/M (Paris): Fashion, Music, Art, Graphics, and Visual Styling from the Groundbreaking Design Studio

M to M of M/M (Paris): Fashion, Music, Art, Graphics, and Visual Styling from the Groundbreaking Design Studio, 2013

Rizzoli International Publications

A work made of silk, damask weave; embroidered with gilt frisé, gilt strips wound around a silk fibre core in couching over silk floss covered cardboard, couching and straight stitches; lined in silk, plain weave.

Waistcoat, 1701/25

Bag

Bag, 19th century

A work made of linen, plain weave; embroidered with rayon in satin and fishbone stitches and french knots; cut and knotted warp fringe in two rows.

Partially Worked Panel Intended as a Pillow Cover, c. 1910

A work made of lithograph with hand-coloring on paper.

Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana, 1838/39

Honoré-Victorin Daumier

A work made of color woodblock print; oban.

The Courtesan Hanaogi of the Ogiya with Her Attendants Yoshino and Tatsuta, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1781

Torii Kiyonaga

A work made of color woodblock print; oban.

Evening Glow at Matsusaki (Matsusaki no sekisho), from the series "Eight Fashionabe Views of Edo (Furyu Edo hakkei)", c. 1776/81

Isoda Koryusai

A work made of color woodblock print; oban.

The Courtesan Wakakusa of the Chojiya with Her Attendants Asano and Midori, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", 1783/84

Torii Kiyonaga

A work made of silk, tabby, satin, velvet & twill weaves. some have warp-face, extra pattern wefts, printing, or moiré pattern, cisele velvet embroidered in silk floss & 2 ply twist. (backed with tabby cotton after piecing.) embroidery thru 3 layers stitches: herrinbone, feather, buttonhole, cross, satin, fishbone knot, & variations with line stitch.

Fragment from Bedcover (Crazy Quilt Block), c. 1884

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