Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of color woodblock print; koban.

"U": Narihira Presents a Chancellor with a Model of a Pheasant, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of ink and gouache on tracing paper and construction paper.

Fashion Designs, March 1934

A work made of color woodblock print; oban.

Evening Glow at Seta (Seta sekisho), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)", c. 1814/17

Kikukawa Eizan

A work made of color woodblock print; oban.

Ukifune of the Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of color woodblock print; koban.

"U": Narihira Presents a Chancellor with a Model of a Pheasant, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of color woodblock print; koban.

"Yo": A Man Meets a Former Lover, now Serving in a Provincial Household, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of brush and gray wash, over graphite, on ivory wove paper.

The Cobbler, 19th century

A. Faslin[k]

A work made of color woodblock print; oban.

Chozan of the Chojiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of color woodblock print; chuban.

Yu Kinro (Chinese: Yu Qianlou), from the series "Fashionable Japanese Versions of the Twenty-four Paragons of Filial Piety (Furyu Yamato nijushiko)"", c. 1770/72

Isoda Koryusai

A work made of color woodblock print; oban.

Returning Sails at Yabase (Yabase kihan), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)", c. 1814/17

Kikukawa Eizan

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

The Effect of the Tariff on Women's Fashions, 1913

John Tinney McCutcheon

A work made of lithograph in black with hand-coloring on greenish-gray laid paper.

Plate One from The Supreme Current Fashion, c. 1805

Pierre Nolasque Bergeret

A work made of lithograph in black with hand-coloring on greenish-gray laid paper.

Plate Two from The Supreme Current Fashion, c. 1805

Pierre Nolasque Bergeret

A work made of book.

French Fashion, Women, and the First World War, 2019

Irma Boom

A work made of color woodblock print; oban.

The Courtesan Takigawa of the Ogiya with Her Attendants Onami and Menami, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", 1783

Torii Kiyonaga

A work made of color woodblock print; oban.

The Theater District in Sakai-cho (Sakai cho shibai), from the "Fashionable Eight Views of the Eastern Capital (Furyu Toto hakkei)", c. 1824/29

Kikukawa Eizan

A work made of color woodblock print; oban.

Miyato of the Kadotamaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1777

Isoda Koryusai

A work made of lithograph in black on white wove paper.

The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités, 1856

Honoré-Victorin Daumier

A work made of silk, cut, uncut, voided velvet against satin weave foundation.

Fragment, 18th century

Scarf

Scarf, c. 1800/20

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