Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of terracotta, black-glaze.

Lekanis (Covered Dish), 450-430 BCE

Ancient Greek

Color print of a Japanese landscape with a person on horseback in the foreground, flanked by several trees and low green hills. Beyond this figure, others on ferries cross a winding river in rowboats toward tent-like structures in the distance. Vertical text in Japanese peppers the top half of the work, with text in a vertical red banner at upper right.

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of wood and pigment.

Mother-and-Child Figure (Bwanga bwa Chibola), Mid–late 19th century

Luluwa

Against red background four men stand around another bound naked to a chair, his head covered.

Interrogation II, 1981

Leon Golub

A work made of woodblock print.

Stone Bodhisattva in the Freer Gallery of Art, Washington, D.C., 1971

Hiratsuka Un'ichi

A work made of pen lithograph on tan wove paper.

Plate five. from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of paper.

Gavin Turk New Art Close-Up 2, 2004

Graphic Thought Facility

Narrow, vertical print of a Japanese woman in partial view, wearing a billowing pink-orange kimono and holding a yellow umbrella.

Beauty Under an Umbrella in the Snow, c. 1770

Suzuki Harunobu

A work made of lithograph in black on buff wove paper.

The Carpenter, from Arts et Métiers, 1838

Bernard Gaillot

A work made of brass.

Head (Uhunmwun Elao), 18th/early 19th century

Edo

A work made of oil on canvas.

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

A work made of oil on canvas.

Drive in the Knife, May 1943

Matta

A work made of acrylic, silkscreen ink, and diamond dust on linen.

Diamond Dust Joseph Beuys, 1980

Andy Warhol

A work made of color lithograph on white wove paper.

It's Not Art, That Counts Now, from Preview Suite, 1988

Allen Rawson Ruppersberg

Green glazed vessel decorated with floral adornments, tapered and flared at the neck, with two small cylindrical handles.

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

A work made of offset lithograph in black on ivory wove paper.

Relax Senator Helms, The Art World Is Your Kind of Place!, 1989

Guerrilla Girls

A work made of miniature room, mixed media.

E-27: French Library of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A work made of pen lithograph on tan wove paper.

Title Page, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

<<<13141516 >>>