A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Plate One, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Cranes on snow-covered pine, c. 1834
Katsushika Hokusai
The Hanging of Judas, c. 1520
Miniature Pyxis (Container for Personal Objects), 300-270 BCE
Ancient Greek
Dish with Dragons Writhing amid Floral Scrolls, Ming dynasty (1368–1644), Zhengde reign mark and period (1506–1521)
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34
Utagawa Hiroshige
Woman III, 1982
Roy Lichtenstein
Tapper (Iroke Ifa), 17th or 18th century
Yoruba
The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539
Lucas Cranach, II
Group of Trees, n.d.
Paul Dougherty
Ball Clock, 1948–69
Irving Harper
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Suffering, 1907
Constantin Brancusi
The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914
Lorado Taft
Bowl with Textured Surface Decoration in Basketry-Like Pattern, 900–1000
Ancestral Pueblo (Anasazi)
Croquet Scene, 1866
Winslow Homer
The Heron Maiden, c. 1766/67
Suzuki Harunobu
Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816