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A light-brown, kettlebell-shaped vessel with a top spout features a red line drawing of a seated warrior facing right, wearing a stylized patterned dress and holding a weapon.

Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE

Moche

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of terracotta, red-figure.

Kylix (Drinking Cup), about 460 BCE

Penthesilea Painter

Conical-shaped bowl with sides angled outward, a smooth black interior, and a bumpy exterior that is black along the rim and graduates to a reddish-brown color.

Bowl with Textured Surface Decoration, 900–1000

Ancestral Pueblo (Anasazi)

Bone-colored bowl with interior decorations of bone-colored zig-zags, diamonds, and lines on a black background, a circle at the interior base.

Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400

Ancestral Pueblo (Anasazi)

A work made of oil and sand on four joined canvases, with artist's painted frame.

Corpse and Mirror II, 1974/75

Jasper Johns

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

A work made of oil on canvas.

The Fates Gathering in the Stars, 1887

Elihu Vedder

A work made of fluorescent paint and silkscreen ink on linen.

Flowers, 1964

Andy Warhol

Vibrantly colored landscape painting of houses built on a steep hill surrounded by thin, bent trees and a narrow trail or road. Bright orange, red, pink, green, and yellow illuminate the scene.

Landscape at L'Estaque, 1906

Georges Braque

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of oil on cardboard.

Houses at Murnau, 1909

Vasily Kandinsky

A work made of oil on board.

Girl with Cat, 1937

Balthus

A work made of wood, kaolin, and pigment.

Face Mask, Late 19th-early 20th century

Bwa

Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of oil on canvas.

Spring Rains, c. 1924

Victor Higgins

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