Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Head (Uhunmwun Elao), 18th/early 19th century
Edo
Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999
Studio Blue
The Fates Gathering in the Stars, 1887
Elihu Vedder
Meetinghouse Hill, Roxbury, Massachusetts, 1799
John Ritto Penniman
School of Contemporary Art Life Class, 1956/57
Richard Aberle Florsheim
How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823
Hippolyte Bellangé
Drive in the Knife, May 1943
Matta
Diamond Dust Joseph Beuys, 1980
Andy Warhol
Spring Rains, c. 1924
Victor Higgins
Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)
Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Male Figure (Nkisi Nkondi), Probably early to mid-19th century
Vili
The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920
Etienne Carjat
Art Classes for Children, 1935/43
R. E. K.
E-27: French Library of the Modern Period, 1930s, c. 1937
Narcissa Niblack Thorne
Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816