Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs, 1000–1300
Ancestral Pueblo (Anasazi)
Volunteer, 1963/64
James Rosenquist
Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century
Bamana
Title Page, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century
Baga
Equestrian and Four Figures, Probably late 12th-15th century
Bankoni
A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
The Tailor, from Arts et Métiers, 1838
Bernard Gaillot
Twin Figures (Ere Ibeji), Early/mid–20th century
Yoruba
Plate One, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
A37: California Hallway, c. 1940, c. 1940
Narcissa Niblack Thorne
Casket, c. 1390-c. 1410
Workshop of the Embriachi Family
Farm near Duivendrecht, c. 1916
Piet Mondrian
Inlay Depicting the Face of a King, Ptolemaic Period (332–30 BCE)
Ancient Egyptian
Untitled XI, 1975
Willem de Kooning
The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539
Lucas Cranach, II
Matsue, Izumo, from the series Souvenirs of Travel, Third Series (Tabi miyage dai sanshū), 1924
Kawase Hasui
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE
Moche
Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816