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  • Art Institute Chicago
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Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

A work made of fluorescent paint and silkscreen ink on linen.

Flowers, 1964

Andy Warhol

Vibrantly colored landscape painting of houses built on a steep hill surrounded by thin, bent trees and a narrow trail or road. Bright orange, red, pink, green, and yellow illuminate the scene.

Landscape at L'Estaque, 1906

Georges Braque

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of oil on cardboard.

Houses at Murnau, 1909

Vasily Kandinsky

A work made of wood, kaolin, and pigment.

Face Mask, Late 19th-early 20th century

Bwa

Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Blue stained glass windows depicting angels, musicians, trees.

America Windows, 1977

Marc Chagall

Bowl-shaped terracotta vessel with a foot, glazed in red with black figures encircling its body.

Pyxis (Container for Personal Objects), late 6th century BCE

Ancient Greek

A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Small, dark colored ceramic vessel with a handle and spout at the top. The front of the vessel looks like a face, with two round forms making the eyes, a long, thin form a nose, and an oval form the mouth. Two ear-like shapes protude from the side of the vessel.

Face Jug, c. 1860

Artist unknown

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

A dark-brown painted sculpture with hints of orange showing through of a slim face with a long neck. The lips are drawn in a pout, the cheeks sunken, the hair pulled back in a swirl pattern and falling down in a slim column.

Head, Mid–late 19th century

Fang

A work made of creamware.

Plate, c. 1790

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