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A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of fluorescent paint and silkscreen ink on linen.

Flowers, 1964

Andy Warhol

Vibrantly colored landscape painting of houses built on a steep hill surrounded by thin, bent trees and a narrow trail or road. Bright orange, red, pink, green, and yellow illuminate the scene.

Landscape at L'Estaque, 1906

Georges Braque

A work made of oil on cardboard.

Houses at Murnau, 1909

Vasily Kandinsky

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of wood, kaolin, and pigment.

Face Mask, Late 19th-early 20th century

Bwa

A work made of oil on board.

Girl with Cat, 1937

Balthus

Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Blue stained glass windows depicting angels, musicians, trees.

America Windows, 1977

Marc Chagall

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

Small, dark colored ceramic vessel with a handle and spout at the top. The front of the vessel looks like a face, with two round forms making the eyes, a long, thin form a nose, and an oval form the mouth. Two ear-like shapes protude from the side of the vessel.

Face Jug, c. 1860

Artist unknown

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A dark-brown painted sculpture with hints of orange showing through of a slim face with a long neck. The lips are drawn in a pout, the cheeks sunken, the hair pulled back in a swirl pattern and falling down in a slim column.

Head, Mid–late 19th century

Fang

A work made of creamware.

Plate, c. 1790

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

Painting of four figures in blue, red, brown dresses playing croquet.

Croquet Scene, 1866

Winslow Homer

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