Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

Miniature room with two tall windows framing a small Cubist painting and a fireplace, two golden scuptures set before the windows. At right, a small red couch is flanked by two Lucite chairs. At left, an open glass door is flanked by oak chaises with red cushions. A plush cream rug fills the space.

A37: California Hallway, c. 1940, c. 1940

Narcissa Niblack Thorne

A work made of oil on canvas.

Farm near Duivendrecht, c. 1916

Piet Mondrian

A work made of oil on linen.

Untitled XI, 1975

Willem de Kooning

A work made of glass.

Inlay Depicting the Face of a King, Ptolemaic Period (332–30 BCE)

Ancient Egyptian

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of color woodblock print.

Matsue, Izumo, from the series Souvenirs of Travel, Third Series (Tabi miyage dai sanshū), 1924

Kawase Hasui

A light-brown, kettlebell-shaped vessel with a top spout features a red line drawing of a seated warrior facing right, wearing a stylized patterned dress and holding a weapon.

Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE

Moche

A work made of pen lithograph on tan wove paper.

Plate Seven, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of terracotta, red-figure.

Kylix (Drinking Cup), about 460 BCE

Penthesilea Painter

A work made of book with color off-set lithographs on white wove paper, with yellow wove paper cover.

The Hairy Who Sideshow, 1967

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of oil and sand on four joined canvases, with artist's painted frame.

Corpse and Mirror II, 1974/75

Jasper Johns

A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

A work made of fluorescent paint and silkscreen ink on linen.

Flowers, 1964

Andy Warhol

A work made of oil on canvas.

Rainy Day, 1906

Frank Weston Benson

A work made of pen lithograph on tan wove paper.

Plate Four, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Vibrantly colored landscape painting of houses built on a steep hill surrounded by thin, bent trees and a narrow trail or road. Bright orange, red, pink, green, and yellow illuminate the scene.

Landscape at L'Estaque, 1906

Georges Braque

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