Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34
Utagawa Hiroshige
Tapper (Iroke Ifa), 17th or 18th century
Yoruba
Plate One, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Ball Clock, 1948–69
Irving Harper
The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914
Lorado Taft
Suffering, 1907
Constantin Brancusi
Croquet Scene, 1866
Winslow Homer
Salt Cellar, c. 1530
the Milan Marsyas Painter
The Heron Maiden, c. 1766/67
Suzuki Harunobu
Untitled (Lighted Owl), c. 1949
Joseph Cornell
"A, B, C, D"-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century
Asante
The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539
Lucas Cranach, II
Vase, c. 1925
Jean Dunand
Chair (Kiti Cha Enzi), 19th century
Swahili
"Untitled" (Last Light), 1993
Felix Gonzalez-Torres
American Collectors (Fred and Marcia Weisman), 1968
David Hockney
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Bird, from Milestones of the Season (Shibunshū “Kisetsu-hyō”)Season (Shibunshû “Kisetsu-hyô”), 1935