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A work made of color woodblock print; oban.

Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)", c. 1802

Kitagawa Utamaro

A work made of book with color off-set lithographs on white wove paper.

Hairy Who (cat-a-log), 1969

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of oil and tempera on canvas.

Painting (The Circus Horse), 1927

Joan Miró

A work made of gold, enamel, rock crystal, and lapis lazuli.

Casket with the Three Theological Virtues, c. 1525-c. 1550

A work made of oil on canvas.

Young Woman in Black, 1902

Robert Henri

A work made of oil on canvas.

Mid American, 1969

Ed Paschke

A work made of color woodblock print; chuban.

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of oil on canvas.

Supervielle, Large Banner Portrait, 1945

Jean Dubuffet

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

New York (Couple on Steps of Metropolitan Museum of Art), c. 1971

Garry Winogrand

A work made of iris print on paper.

Competition Proposal for Nelson Atkins Museum of Art, Interior Perspective, 1999

Steven Holl

A work made of oil on panel.

J. Ellis Bonham, March 5, 1825

William Bonnell

Print in color of two sailboats on blue water carrying cargo. One boat has five humans in it, two wearing red with wide hats, three in blue. A black mountain range, sparse with trees, rises in the background. Japanese characters appear in black ink in the upper portion of the image, with additional text on a red vertical banner in the the upper-right corner and in red at lower left.

Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of tin-glazed earthenware with copper luster.

Hispano-Moresque Lusterware Plate with Griffin, 1475/1500

Valencia Potteries

A work made of oil on canvas.

Bad Times, 1970

Philip Guston

Shallow terracotta pan-like cup with black glaze, incised floral decoration at bottom, and handles on either side.

Stemless Kylix (Drinking Cup), 460-450 BCE

Ancient Greek

A work made of wood, pigment, and kaolin.

Headdress for Gelede (Igi), Early/mid–20th century

Yoruba

A work made of oak and glazed earthenware.

Fireplace Surround, 1901

George Washington Maher

A work made of color lithograph on cream wove paper laid down on linen.

Wolfsberg Art Salon Zurich Augusto Giacometti exhibition from February to March 1921, 1921

Augusto Giacometti

A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Three adult figures walk on a boardwalk over reed-filled water, one carrying a baby, wearing clothes in red, blue, and gray tones, with shadowy trees and a tent structure in the background. Japanese characters in red and black ink appear at upper left and bottom right.

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

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