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A work made of pen lithograph on tan wove paper.

Title Page, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of marble.

Figure of a Youth from a Funerary Stele (Monument), about 380 BCE

Ancient Greek

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Abstract painting with heavy white, gray, and brown paint applied in thick brushstrokes, suggesting wings emerging from a dark background.

The Annunciation, 1957/59

Jay DeFeo

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of brown-stained oak.

Armchair, 1904–5

J.S. Ford, Johnson and Company

A work made of earthenware and tin-glaze, with cobalt glaze.

Tibor (Jar), 1700–50

Talavera Poblana

Tall black painted wooden cabinet, white trim, shape of skyscraper.

Skyscraper Cabinet, c. 1927

Paul Theodore Frankl

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

An orange-red ceramic vessel in the shape of an abstract figure with wide-set eyes and short arms, a handle at back.

Single Spout Vessel with Molded Abstract Figure, 1000–1476

Lambayeque

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Black glazed terracotta vessel with a short, curved handle on one side. Visible cracks indicate fragmentary repair.

Mug, about 460 BCE

Ancient Greek

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of wood and pigment.

Mother-and-Child Figure (Bwanga bwa Chibola), Mid–late 19th century

Luluwa

Color print of a Japanese landscape with a person on horseback in the foreground, flanked by several trees and low green hills. Beyond this figure, others on ferries cross a winding river in rowboats toward tent-like structures in the distance. Vertical text in Japanese peppers the top half of the work, with text in a vertical red banner at upper right.

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of terracotta, black-glaze.

Lekanis (Covered Dish), 450-430 BCE

Ancient Greek

A work made of ceramic and pigment.

Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs, 950–1400

Ancestral Pueblo (Anasazi)

A work made of oil on canvas.

Rainy Day, 1906

Frank Weston Benson

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

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