Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Abstract painting with heavy white, gray, and brown paint applied in thick brushstrokes, suggesting wings emerging from a dark background.

The Annunciation, 1957/59

Jay DeFeo

A work made of tin-glazed earthenware with cobalt glaze.

Tibor (Jar), 1700–50

Talavera Poblana

Against red background four men stand around another bound naked to a chair, his head covered.

Interrogation II, 1981

Leon Golub

Tall black painted wooden cabinet, white trim, shape of skyscraper.

Skyscraper Cabinet, c. 1927

Paul Theodore Frankl

A work made of color lithograph on white wove paper.

It's Not Art, That Counts Now, from Preview Suite, 1988

Allen Rawson Ruppersberg

A work made of terracotta, black-glaze.

Lekanis (Covered Dish), 450-430 BCE

Ancient Greek

A work made of offset lithograph in black on ivory wove paper.

Relax Senator Helms, The Art World Is Your Kind of Place!, 1989

Guerrilla Girls

Color print of a Japanese landscape with a person on horseback in the foreground, flanked by several trees and low green hills. Beyond this figure, others on ferries cross a winding river in rowboats toward tent-like structures in the distance. Vertical text in Japanese peppers the top half of the work, with text in a vertical red banner at upper right.

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of wood and pigment.

Mother-and-Child Figure (Bwanga bwa Chibola), Mid–late 19th century

Luluwa

Narrow, vertical print of a Japanese woman in partial view, wearing a billowing pink-orange kimono and holding a yellow umbrella.

Beauty Under an Umbrella in the Snow, c. 1770

Suzuki Harunobu

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

A work made of pen lithograph on tan wove paper.

Title Page, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of brass.

Head (Uhunmwun Elao), 18th/early 19th century

Edo

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

A work made of oil on canvas.

Drive in the Knife, May 1943

Matta

A work made of acrylic, silkscreen ink, and diamond dust on linen.

Diamond Dust Joseph Beuys, 1980

Andy Warhol

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

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