Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color photo-etching from five plates on ivory wove paper.

The Straddling Echoed in His Dream, plate twenty from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from four plates on ivory wove paper.

After the Shadow Passed He Would Feed Them, plate 22 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

He Mailed His Letter Through a Makeshift Slot, plate 29, from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

He Wrapped it with Reverence Envisioning His Escape, plate 30 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

The Sense of Order Was Seeping Away, plate 31 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of photo-etching from polymer in black on white wove paper.

Title Page, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching from polymer in black on white wove paper.

Appointment, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching from polymer in black on white wove paper.

Secluded Threshold, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching from polymer in black on white wove paper.

Foyer, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching from polymer in black on white wove paper.

Concierge Apartment, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching from polymer in black on white wove paper.

Accomodating Enclosure, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching from polymer in black on white wove paper.

Lodging for the Uninvited, from Hotel Suite, 2010

Nicholas Sistler

A work made of gelatin silver print, from loose-leaf album of aerial photographs from the photographic section, air service, american expeditionary forces, world war i.

Moulins-lès-Metz (Ideal type military aerial photo, taken from 18,000 ft.), 1918

Edward Steichen

A work made of gelatin silver print.

New York, c. 1955

Leon Levinstein

A work made of color photo-etching on japanese paper.

Mis en Scene, 1967

Vera Berdich

A work made of gelatin silver print, from the portfolio "photographs: rhode island school design, 1967–68".

Jim Dow, Photo Student, 1967

Richard Lebowitz

A work made of color photo-etching from five plates on ivory wove paper.

Damage Appeased Him, plate 25 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of photolithograph on white wove paper.

Rhondo Fest, St. Paul, 1983 from Minnesota Portfolio, 1986

Thomas Frederick Arndt

A work made of photolithograph on white wove paper.

Farm Couple, Sleepy Eye, Minnesota, 1985 from Minnesota Portfolio, 1986

Thomas Frederick Arndt

A work made of photolithograph on white wove paper.

Polka Fest, Gibbon, Minnesota, 1977 from Minnesota Portfolio, 1986

Thomas Frederick Arndt

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