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  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of photo-etching, aquatint and mezzotint on ivory wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of color line photo-engraving on off-white wove paper.

Seven Branch, from Counting Alternatives: The Wittgenstein Illustrations, 1991, based on a drawing from 1971

Mel Bochner

A work made of offset lithograph.

(Rip) R594, Photo of Florence With the Area Between the Piazza de la Stazione, Piazza Independenza, Cenacolo di Santa Apollonia and La Colonna della Croce al Trebbio Removed, May 13, 1976

Sol LeWitt

A work made of color line photo-engraving on off-white wove paper.

T Branch, from Counting Alternatives: The Wittgenstein Illustrations, 1991, based on a drawing from 1971

Mel Bochner

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, right side, n.d.

Sergio Aragones

A work made of collage of cut-and-tipped elements (photographs, printed reproductions), with orange and black ball-point pens, graphite, black crayon, and rubber stamps and brown wash, over photo-offset on grayish ivory wove paper.

Untitled, 1971

Marty S. Greenbaum

A work made of photolithograph on acetate.

Synthetic Sirens in the Pink Light District, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photo-etching and drypoint, with red and blue ink, on cream wove paper.

Self-Portrait, 1975

Keith Smith

A work made of photo-lithographic reproduction in black ink on ivory laid paper.

The Tall Bridge, 1878/1913

James McNeill Whistler

A work made of photo-lithographic reproduction in black ink on ivory laid paper.

The Tall Bridge, 1878–1913

James McNeill Whistler

A work made of color photo-etching from five plates on ivory wove paper.

His Knee had Recorded Each Step, plate seven from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

Peeking Became His Craft for Rendering Place, plate nine from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

The Tool Pleased Him, plate twelve from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

Time Thickened in His Veins, plate thirteen from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

The Vacancy was Effectively Concealed, plate fourteen from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

Gradually the Time Became a Razor, plate seventeen from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

Measuring Helped Him Appropriate the Space, plate nineteen from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

The Straddling Echoed in His Dream, plate twenty from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from four plates on ivory wove paper.

After the Shadow Passed He Would Feed Them, plate 22 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

He Mailed His Letter Through a Makeshift Slot, plate 29, from Uruguayan Torture Series, 1983

Luis Camnitzer

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