Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, and black fiber-tipped pen, with touches of white correcting fluid and non-photo blue pencil, over graphite, with cut-and-pasted text, on ivory wove card.

In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk, 1981

Larry Lieber

A work made of color photo-etching, with soft ground etching and aquatint, on white wove paper.

The Devil's Picnic, 1969

Vera Berdich

A work made of photolithograph on paper.

Transparent Creatures hunting New Victims, plate 1, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Cary Grant as a male war bride, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

The Impossible Dream ... It's all the same, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Becoming is Meaning like Nothing is Going, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Inside Down Under ... What are the building blocks of structualism?, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Mumbling and Munching to Muzak, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Deceny and Decorum in Production, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Fifty Nine Varieties of Paradise, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Pig or Person, it's the same, Fortune plays a funny game, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Plate interpreted as a Whole (Whole Answers), from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

How to spend time in Hollywood, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on paper.

Careers today ... How children fail, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of offset lithograph.

The Moment 2, 1976

Teresa Gierzyńska

A work made of offset lithograph.

The Moment 3, 1976

Teresa Gierzyńska

A work made of photo-etching and aquatint, with watercolor, on ivory wove paper.

Portrait of Harold Allen, 1971

Keith Smith

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Eucalyptus, Somona, 1957

Don Worth

A work made of color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper.

The Pool of Tears, 1962

Vera Berdich

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